Case Study: Pisces Hooks Taurus by Anyta Sunday

How Anyta Sunday incorporated NetGalley into her post-pub strategy to give her astrological romance a longer tail

On NetGalley Insights, we highlight the successes of NetGalley publishers and authors, and share some of their strategies. Today, we’re talking with Anyta Sunday about her 2018 MM romance Pisces Hooks Taurus, currently available on NetGalley.

Learn why Anyta Sunday lists her titles on NetGalley after they publish, how she generates keywords for her books, and why it’s important to tell romance readers exactly what kinds of tropes they can expect in one of her books.

Our audience of publishers and authors is always eager to learn more about how others are planning their publicity and marketing efforts on NetGalley. Your current title listed on NetGalley, Pisces Hooks Taurus, began its lifecycle on NetGalley at its pub date. Tell us how you came to use NetGalley as a post-pub strategy and why it works for you.

I work with a PR agency to organize blog tours around the release of my books, also handling distribution of ARC copies to interested bloggers and reviewers. These bloggers typically already know me from previous books, while NetGalley allows me reach new audiences.

Using NetGalley starting with the pub date helps me to spread reviews and buzz over a longer time period. [Here are] two reviews [that came in] in over a month after release: Reviews for Those Who Love a Good Book and Amy’s MM Romance Reviews.

Which segments of the NetGalley community have been most important to you and why? How do you go about reaching them?

Most requests for my books come from Reviewers. I post about new titles available on NetGalley via social media and in my newsletter. [You can see an example of this] for my older release, Scorpio Hates Virgo and on my website.

On your Title Details page for Pisces Hooks Taurus, you list the tropes (friends-to-lovers, slow burn, will-they-or-won’t-they) and genres (new adult, light-hearted contemporary gay romance). It’s a great way to give prospective readers a quick snapshot into what the can expect from the book. Describe your strategies for your Title Details page to drive requests and reviews.

I try to optimize the NetGalley Title Details page in the same way as the sales page for my book on retail channels like Amazon; a snappy blurb in the same style and voice as the book, followed by a clear description of what the reader will get. This is particularly important in the romance genre where readers are often looking for specific tropes (and trying to avoid others). Romance is a big genre with many new publications, so communicating clearly what readers can expect helps a book to stand out. Also, if the book is part of a series, I mention whether you need to know the previous books or if it can be read as a standalone.

How did you engage with members who requested access? Did you follow up with them via email?

I make use of the Approval Email feature on NetGalley to engage with members who requested access. In this mail, I thank the reader and encourage them to crosspost their reviews. If the book is part of a series, I also offer the other books for review.

Tell us more about how you leverage your NetGalley listing outside the site.

I mention the availability of the NetGalley listing in my release publicity, and feature it on the book’s detail page on my website.

Your Signs of Love series, of which Pisces Hooks Taurus, is the fourth installment, taps into the current spike in public fascination with astrology. How do you use this to your advantage when finding new audiences?

I use astrology-related keywords in the advertising around the Signs of Love series to reach new audiences. I focus on Facebook and Amazon ads at the moment, and for both the targeting is key. Besides reaching fans of gay and MM romance by using related keywords, I do the same for astrology-related keywords.

What is your top tip for authors listing an individual title on NetGalley?

I find that customizing the approval email is a powerful way of following up with members requesting a book, so I would encourage using this to maximum effect: trying to connect with the reader, thanking them for requesting your book, and potentially offering other ARCs. For Pisces Hooks Taurus, I let readers that request the ARC know that there are three more books in the series and have received multiple requests for these older books as well.

Anyta Sunday is a BIG fan of slow-burn romances. She reads and writes characters who slowly fall in love. Some of her favorite tropes to read and write are: Enemies to Lovers, Friends to Lovers, Clueless Guys, Bisexual, Pansexual, Demisexual, Oblivious MCs, Everyone (Else) Can See It, Slow Burn, Love Has No Boundaries. She writes a variety of stories: Contemporary MM romances with a good dollop of angst, contemporary lighthearted MM romances, and even a splash of fantasy. Her books have been translated into German, Italian, French, Spanish, and Thai.

Follow Anyta Sunday on Twitter, Facebook, and Instagram

See all of her titles on her website, including purchase links.

Interviews have been edited for clarity and length.

Read the rest of our case studies, featuring authors, trade publishers, and academic publishers here.

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Pre-Publication Tips for Authors: Sending Out Review Copies

Getting people talking about your book before it goes on sale is crucial to a book’s success. But, without a professional publicity team, it can be hard to know where to begin. Galleys are a perfect place to start to get your book into the hands of people who will build its pre-publication buzz.

Publishers can always attach PDFs to emails, but this tends to look less polished than sending along a digital galley or a printed galley Plus, PDFs are not trackable or secure, which means that they can be shared widely without your knowledge. The industry standards for sending review copies are to send either printed galleys or digital galleys through a secure site, like NetGalley.

Digital Galleys via NetGalley

Listing your title on NetGalley lets you make your title available for request to our community of hundreds of thousands of  book influencers (including librarians, educators, and media). You can also use tools like the widget to include pre-approved links to your title via NetGalley. With NetGalley, you have control over who has access to your title, and reports available to you within your account to title activity and history. Digital galleys tend to be quite cost-effective once you have committed to them. They can be sent to as many people as you like, meaning that you can send your title to a wider pool of reviewers and influencers than you could with just printed galleys. Plus, they are environmentally conscious!

Physical Galleys

Sending out printed copies of your book is a classic and effective way to build pre-publication buzz. Reviewers or media professionals might prefer printed galleys if they work in an office that is more traditional, where an editor may be assigning the book to the final reviewer, or if they just prefer reading printed books rather than digital ones. Printed galleys are particularly helpful when submitting to literary awards. However, printing costs, packaging materials, and shipping costs are important factors to take into consideration when thinking about how you will incorporate printed galleys into your marketing strategy. They can be quite expensive, so it’s important to be strategic when thinking about who should receive a printed galley. For the budget-conscious, printed galleys should only go to readers or awards who have specifically requested printed galleys, and who are likely to review your title.

Most review sites and reviewers have specifications for how they would prefer to receive galleys, which we advise you to consult before submitting your titles to them for consideration.

However you choose to get the word out about your book pre-publication, make sure that you are giving your book the best possible chance to succeed by providing advanced copies to reviewers and influencers.

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Pre-Publication Tips for Authors: Writing Outside Your Book

In the book marketing world, getting your name out there is crucial. If someone casually browsing for their next read recognizes your name, they’re far more likely to take a closer look, and hopefully purchase.

Since writing is your craft, one of the best ways to get your name noticed is to write. So, write! It’s natural to want to write exclusively about your book as a way to promote it, but you should also consider writing about topics related to your book. For example, if you write Civil War romances, pitch a column on a women’s cultural interest website about the hidden histories of women in the United States in the 19th century. You can access a wider audience than you could otherwise, and demonstrate your expertise about your chosen field of interest.

You can also write in more casual settings; like a blog or a newsletter. Many authors and cultural critics send out periodic newsletters that describe what they are reading, listening to, and thinking about. Newsletters and blogs are a way to stay top-of-mind for your audience, and to help your readers develop a more personal relationship with you and your work.

This kind of tactical writing can increase your visibility and the visibility of your titles in the marketplace. But, as with all kinds of marketing efforts, quality is more meaningful than quantity. First and foremost you should write and pitch content that you would be interested in reading, and the readership will follow.

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Pre-Publication Tips for Authors: Selling Your Book to Bookstores, and Beyond!

Getting your book sold into a bookstore can be one of the most daunting parts about being an independent author, but also potentially the most gratifying. Seeing your book in a brick-and-mortar store, next to a curated inventory of other books is an accomplishment for any author.

Booksellers are pitched thousands of titles per year, so the competition to get your book carried by a store can be fierce. But, with some forethought, you can set yourself up to meet this challenge head-on.

Make sure to schedule an appointment with a book buyer rather than showing up to a bookstore unannounced, with copies in hand. Booksellers will appreciate your professionalism and the respect for their time. Plus, it gives you both an opportunity to prepare. These meetings tend to be short, so prepare a succinct pitch for your title. Give a quick introduction to your book (no need to give a full synopsis, just enough to pique their interest), and three good reasons why your title is a good fit for their bookstore and clientele.

Let the bookseller know what kinds of promotions you are doing, either in your local area or online. If you have reviews or feedback, be sure to leverage that as an indicator of enthusiasm for your work.

Hopefully, the bookseller will be impressed and take a few copies of your title to sell in their shop. But, if not, gracefully accept their decision. You’ll want to leave a positive impression on them so that you can hopefully build a strong working relationship in the future.

In addition to selling your title to bookstores, consider other places who might be interested in buying some copies of your book. Local museums, libraries, archives, and record stores are great places to start. Be creative!

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Pre-Publication Tips for Authors: Find Your Audience, IRL

Personal connection is a huge part of any successful marketing campaign. To build a personal connection between author and reader, it’s important for authors to meet face to face with their audience and to use live events as a way to grow that audience. We know that it can be daunting, especially for authors who are introverted or just starting out, but it can make all the difference.

Look for reading groups, book clubs, literary open mics, and library events in your local area. See if you can connect with these groups by giving a reading or participating in a Q&A. And be sure to think broadly–if you write historical fiction, look for a historical society that might be interested in your research methods. If you write political thrillers, pair up with a film group to discuss some classic films in the genre and how they influenced your work. Spend some time researching what kinds of special interest groups and literary clubs exist in your city or town, and connect with them!

You can also look for other authors who are publishing a book around the same time you are, or who are also just starting out. Think about how you can support each other, perhaps by joining forces for a combined book tour. Use connections you have to authors in other cities and towns, perhaps authors you are friendly with on social media, to help organize a small book tour. Ask where you should read, and see if your far-flung author friends would be interested in interviewing you at their local bookstore. And, of course, offer to return the favor!

Finding ways to engage with new audiences, both in your local community and beyond, is crucial to building a dedicated and connected community of readers.

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A Writer’s Schedule: Myfanwy Collins

Today we’re talking to Myfanwy Collins. Over the past 25 years, Myfanwy Collins has written and published three books, numerous freelance articles, advertorial, web content, newsletters, blog posts, book reviews, short fiction, and essays. She has also worked as a ghost writer, editor, and creative writing teacher to continuing education students. And, Myfanwy just happens to be the office manager at Firebrand Technologies, NetGalley’s parent company.

How do you set your goals?

I’ve always been goal oriented so I truly like to make goals and stick to them. I have different goals for large projects than for small ones. For instance, I will say to myself that I’m going to finish a draft of this manuscript by x date, which is usually something that corresponds with my Astrologyzone monthly horoscope. Not even joking. One time I told myself I could not watch the latest season of Game of Thrones until I finished my manuscript. If it’s a quick project, I will tell myself I can’t have a glass of wine or piece of chocolate or whatever until I finish. Basically, my jam is a mixture of astrology and denial and treats. I guess I’m sort of like my dog that way.

Photo Credit: Myfanwy Collins

Describe your routines as a writer and how they help you stay on track with your goals:

I got divorced two years ago which sort of blew my routines to smithereens. I’m just now beginning to reclaim and rework them. With that said, I’ve never been a sit at my desk every day and write person. I will do that if I have a project I’m working on and excited about and then I tend to blast through the first draft pretty quickly. After the first draft, I put the manuscript away for a period of time (weeks or sometimes months) and then come back and revise and then put away again and revise until I feel it is ready for other readers. At that point, I pull in my trusted readers and gather their feedback. My trusted readers are my friends who write. They don’t all write the same types of things, but they all know and understand my work and what I am trying to achieve and aren’t afraid to ask me hard questions or tell me when something’s off. Also, they know how I like to receive feedback. Once their feedback is incorporated and I feel like I have done all I can do, I send the manuscript to my agent and wait for her feedback. After her feedback, I revise and return it to her and repeat this until the manuscript is as good as we think it can be.

As for shorter work, one new routine I am really enjoying is that my fiance Evan (also a writer!) and I taking part in #submissionsunday on Twitter each week. We submit at least one piece of work to a venue each Sunday. Doing this is actually making me eager to work on new pieces.

How did you develop your writing routines?

Photo Credit: Myfanwy Collins

I have been writing professionally for nearly 30 years at this point and so my routines have been established over time as I worked. When I was younger, I was more impatient to get work out there when it really wasn’t ready to be seen. I was essentially giving all editors an opportunity to say no to my work. After several years of that I began to learn about the importance of taking my time during revision. I learned this also through years of being a reader for various literary journals. When you read submissions you tend to read a lot of work that could have used more time and more revision. Reading submissions is something I cannot recommend highly enough to writers. It really does help you understand your own shortcomings as a writer.

Ask journals if they need help. You can also look on their websites and see if they have any openings listed. Another place to look is on Twitter. If you follow a lot of writers and journals (as I do) you will often see calls for readers or interns. Finally, I think Submittable probably posts some openings. Pretty much all reader positions are unpaid (mine were) and they do require quite a bit of work but I promise you they pay off is that your own writing will improve.

What routines have you tried that didn’t work for you? Why didn’t they work?

I’ve tried to use writing prompts in the past in order to get myself writing more but they generally don’t work for me because I’m a bit of a rebel.

Photo Credit: Myfanwy Collins

What do you do when you feel stuck?

I do a couple of things:

  • I read (I do this all the time anyway but I do it more so when stuck).
  • I force myself to sit at the page and I set a timer for myself for 20 or 30 minutes and tell myself I must write during that time. It helps me get past the anxiety of the blank page. This is something I recommend to my writing students as well and it’s been very helpful to them.
  • I go back to Julia Cameron’s The Artist’s Way and work the program. The book is a 12-step program for creative people and it is so immensely helpful. In fact, I think I’m past due for another session.

Describe the balance between having a full-time job, family, and writing. How do you manage both?

This is the hardest balance. It was hard when I was a part-time working married mother and It’s hard now as a full-time working divorced mother. My child and family come first in all things and so writing becomes secondary when I am momming. Since I am divorced, there are times when my son is with his dad and so I could be writing but am often sad and missing my kid which gets in the way of writing. But the good news is that I have a really great therapist! I’m starting to listen to her about using my time more wisely instead of allowing myself to be mired in grief.

How do you think about finding a job that supports you financially and supports your writing? Do you need something that leaves room in your mind for creative work, something that keeps you in the habit of deep thinking and frequent writing, something else altogether?

Financial support is key to me and so that is always my first priority. With that said, it is wonderful to have a part of my current job that feeds me creatively. I think if my job were writing all day, I might not pay any attention to my own creative writing. So right now I have a job that is one part business oriented, one part process oriented, and one part creative. It’s a really nice mix.

For more perspectives on creating a successful schedule as a writer, check out our interview with Stuart Evers!

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Pre-Publication Tips for Authors: Build Your Social Media Presence

Personal branding is an important part of the success of any author, and social media is a strong place to develop and grow that brand. Your tone as an author, your field of interests, and how you communicate with the world should all be considered as your develop your voice on the Internet. While Instagram, Facebook, and Twitter might not be for every author, savvy users of these sites can grow your community of dedicated fans. So, how to begin building a successful social media presence?

Start by looking at social media as a way to connect with your potential audience, not as a marketing tool. Authenticity will help you genuinely connect with the kinds of readers who will be your be among your best advocates and fans, which will also help your online presence grow organically.

Think about which platforms are best suited to your own instincts and talents. Have a knack for funny or insightful quick turns of phrase? Try Twitter. Are you a visual thinker? Get on Instagram. Once you’ve established which platform(s) you will use, make sure that your tone fits with your audience. If you are a middle-grade author, it’s best to avoid filling every tweet with the most colorful swear words you know. On social media, you are your brand and everything you put online goes toward building that brand.

Be a part of larger conversations and get yourself noticed online by using hashtags, sharing articles, replying to other authors, and engaging with your followers. Communicating directly with your followers is a great way to strengthen your online presence and bond you to your audience. Engaging in conversations that relate to specific topics in your book will attract a like-minded social media following. If you as an author are posting about something that’s interesting to a community, the community will take notice.

Check out the rest of NetGalley Insights to learn more about getting the most out of social media: Which book industry Instagram accounts to follow, using Twitter to learn more about librarians, and how an independent author used NetGalley to boost her title on Twitter.

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An Author’s Path

NetGalley’s own Stuart Evers and Myfanwy Collins share their expert insights as authors and publishing-industry professionals regarding how a book gets written and makes its way into the world.

In “An Author’s Path,” they give a roadmap detailing how authors can find the time and discipline to finish their book, and what to do with it once it’s been written. Stuart covers the conventional publishing route; from finding an agent to represent you and your book, to editing the manuscript, sending out ARCs, and more. Myfanwy explains how and why an author should consider submitting to writing contests or journals, and the basics behind writing a successful query letter. Then, they discuss the basics of book marketing and publicity; how to solicit blurbs and use social media to your advantage.

You can view the full video here. We’ve also included some timestamps so that you can quickly find the most relevant information for your needs.

 

 

 

 

 

Timestamps:

  • Intro: 0:00
  • How to write a book: 1:30
  • What to do with your book once you’ve finished writing it: 8:15
  • The conventional publishing route (finding an agent, pitching publishers, editing, ARCs) 9:38
  • Submitting to your work to journals & contests, writing query letters 22:29
  • Book marketing and publicity: soliciting blurbs, using social media: 32:08
  • Q&A: 50:10
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Case Study: Glimmerglass Girl

How an indie author’s debut chapbook became one of the most requested poetry titles on NetGalley

On NetGalley Insights, we highlight the successes of NetGalley publishers and authors, and share some of their strategies. Today, we’re talking with Holly Lyn Walrath. She is a poet and author whose work has appeared in Strange Horizons, Fireside Fiction, Luna Station Quarterly, Liminality, and elsewhere. Glimmerglass Girl, published by Finishing Line Press, is her first chapbook, and is one of the most requested poetry titles on NetGalley.

Glimmerglass Girl is your debut book of poetry (on sale Aug. 3, 2018). Tell us a bit about your overall strategy for promoting your debut book. Some authors find it challenging to build a community of advocates and influencers before they are a well-established name.

When I set out to promote Glimmerglass Girl, my main goal was to get pre-orders, so my promotion period started sometime in April. I think that was very helpful because starting out that early meant I had plenty of time for outreach. Beyond reaching out to my existing network of friends and fellow writers, I spent a lot of time contacting poetry reviewers and booksellers. Since my book is short and illustrated, I focused on booksellers that were local to the Houston area or interested in indie and rare books or zines. Because my book is being published by a small press, they don’t have the resources bigger publishers have. It is quite a challenge when you’re just starting out. There were a few times when I felt overwhelmed by self-promotion! But, I was surprised by how kind and supportive the poetry community is.

How has your experience launching your own book differed from being published alongside other authors in collections?

When you’re publishing a poem or short story in a collection or anthology, you have the support of every author who’s been published alongside you. They all share the book with their network and that has an amplifying effect. But when you’re publishing your own book, it’s just you! (Or in my case, me and Finishing Line Press, my publisher.) You have to rely on yourself a lot more.

Our audience of publishers and authors is always eager to learn more about how others are planning their publicity and marketing efforts on NetGalley. Where does NetGalley fit into the overall strategy and timeline for Glimmerglass Girl?

At first I wasn’t sure what NetGalley would do for my book, but I decided to try it out anyway. I work as a freelance editor, so I’ve seen clients use NetGalley to varying degrees of success. For me, listing my book on NetGalley was an extra push to get the word out about my book and a bit of an experiment. But I think that experiment has really paid off. It’s also been so much easier to get ARCs into the hands of folks who want to read the book—I just send them a link to NetGalley.

Which segments of the NetGalley community were most important to you (ie. Reviewers, Librarians, Booksellers), and why? How did you go about reaching them?

The biggest reward has been in receiving reviews on Goodreads, Blogs, and Twitter. Because I started early, I have a good amount of ratings on Goodreads and my book isn’t even out yet! It’s also very useful to have a list of reviewers that I can contact when the book comes out and ask them to review on Amazon and other retailers.

How did you optimize your Title Details page to drive requests and reviews for your book?

I included a short description with a few blurbs and an excerpt from an early review of Glimmerglass Girl by VIDA: Women in Literary Arts. I was careful to link to my Instagram, Goodreads, and Twitter accounts with the #GlimmerglassGirl hashtag so readers could easily tag me online, allowing me to reshare their posts about the book. I also included a press kit from my publisher with additional information about the book.

We loved how you linked to Glimmerglass Girl’s Title Details page on Twitter, bringing attention to your title using NetGalley, for an audience that might not already be on NetGalley. Why was this audience important to you?

It’s pretty much ingrained in me that when I have news, I share it on Twitter (I’m addicted!). I noticed that any reviewers use the #NetGalley hashtag on Twitter when they review an ARC. So it made sense to me that that audience would also be scrolling through the hashtag to look for new books to check out. There’s also a fantastic audience of writers, readers, and fans of books on Twitter via the #amwriting, #amediting, and #amreading hashtags, who don’t know about NetGalley but would love to be a part of the community here.

*for more information about incorporating hashtags into your marketing strategy, check out this 3-minute video.

Tell us more about strategies you used to leverage your NetGalley listing outside the site.

One strategy that’s been super fun is reaching out to Instagram’s book community. There are readers who post beautiful, artful, enchanting posts with their current TBR pile or reading obsessions. I asked a few of them to check out my book on NetGalley and got a lot of responses back from people excited to be offered a free ARC. I think that’s a pretty unique way to reach readers. I’ve also added the NetGalley link to my website and Press Kit.

Which NetGalley marketing tools did you take advantage of, and how did you use them to leverage interest?

I’ll be ramping up my NetGalley marketing in August when the book comes out. Glimmerglass Girl was chosen as a featured title as part of the “debut authors” month so it will appear on the front page of NetGalley. I’m stoked for this opportunity and curious to see how it goes. I think this last burst of interest should help get the book in front of more readers.

How did you engage with members who requested access? Did you follow up with them via email?

I made sure to follow members who requested access to Glimmerglass Girl on Goodreads and Twitter and share any blog posts to my website. I plan on reaching out to all my members who requested access with an update when the book is live to let them know they can order it, review it on Amazon and other retailers, and thank them for reading. I’m grateful for this chance to get to know other lovers of poetry, but I didn’t want to bombard them with emails either.

How will NetGalley be incorporated into your post-pub strategy?

My book will be on NetGalley for about two months post-publication and my hope is that this will help garner some Amazon reviews . . . for the coveted algorithm! I’m also planning a Goodreads Giveaway during August and I’ll probably pair this with NetGalley to let anyone who enters know that they can also get a free copy while they wait (and vice-versa with members who’ve already requested my book and might want to enter the giveaway.)

What is your top tip for authors listing an individual title on NetGalley?

Make sure to check out the other titles in your category. Read their description and model your title page off the books that you love and that are successful. I think readers really rely on the description to know whether they’ll like a book, so having some comp titles (books similar to yours) is helpful. In the case of Glimmerglass Girl, I’d love to reach the audiences of authors like Rupi Kaur and Lang Leav—women readers who are sure of themselves and maybe a bit creative too. Don’t be afraid to name-drop similar authors!

Glimmerglass Girl comes out on August 3 from Finishing Line Press. You can pre-order it here.

*Interviews have been edited for clarity and length.

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Pre-Publication Tips for Authors: Ensure Your Book is Ready for Publication

As an author, you have likely spent more hours than you care to count dreaming up your story, imagining the inner workings of your characters and working through plot structure. And now that your manuscript is ready, your book is almost ready to meet the world! In order to help your book make a positive first impression, here are some ways to make sure that it’s ready for publication.

You’ll want to do everything in your power to make sure that it grabs a potential reader’s attention right away… and holds it. This means a strong cover design, editing with a fine tooth comb, and adhering to publishing standards and deadlines.

Book cover inspiration from @perfectbound_

Readers are inundated with books to choose from, at their libraries –on retail websites, and in brick-and-mortar bookstores–which means that your cover matters. Make sure that it looks professional and eye-catching, and pay attention to what other books look like in the category or genre you’re writing. For inspiration, check out perfectbound_ or  She Designs Books. You might end up shelling out for a professional book design, but a compelling cover makes a big difference for readers in a crowded marketplace.

Once you have a reader’s attention with an enticing cover, one of the quickest ways you could lose that attention is with typos and grammatical errors. A book might be full of the most fascinating characters and original worldbuilding, but if the apostrophes are always in the wrong place and commas are running rampant on the page, the reader will be quickly distracted and turned off. Make sure that you are sending your book out into the world in its very best possible state, with a comprehensive line edit. Your book gets one first impression with readers, so make sure it’s as strong as possible by sorting out any wayward spelling or grammar issues.

If you intend for bookstores and libraries to carry your book, make sure to set a realistic pub date and stick to it. Most bookstores, libraries, and even “long lead” review outlets, need significant time to plan what new books will be added to their store. Setting your pub date at least six months in the future will give you time to share it with book buyers at stores, librarians in charge of collection development, and traditional review organizations. Additionally, it’s important to  ensure that any digital files you have are formatted correctly, and that you have an ISBN number.

While graphic design, line editing, and ISBNs might not seem like the most important part of publishing your book, these are the details that will help your book stand out for readers, reviewers, and retailers.

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