Conference Wrap Up Part 6 – IBPA Pub U

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we have attended the Independent Book Publishers Association (IBPA) Publishing University and the Evangelical Christian Publishers Association (ECPA) Leadership Summit. We look forward to Publishers Weekly’s U.S. Book Show next!

Read all of our 2023 spring conference wrap ups:

Katie Versluis and Kristina Radke at IBPA Pub U

Independent Book Publishers Association Publishing University

Independent Book Publishers Association’s (IBPA) Publishing University is a vibrant gathering aimed at traditional and hybrid independent publishers, as well as author publishers, who gather to exchange knowledge, resources, strategies, solutions, and more. This year, the IBPA celebrated its 40th anniversary on Coronado Island in San Diego, with their nautical theme—”Navigate, Innovate, Elevate: Charting the Next 40 Years”.

In addition to the many conversations we had with the IBPA members at our table, and at our “Ask the Experts” sessions (where members sign up to speak to specific industry experts one-on one), the keynote programming was especially powerful this year. Friday’s keynote, “The Future is Independent – How Indie Publishers are Transforming the Industry” featured Rebekah “Bex” Borucki, founder of Row House Publishing, and Arthur Levine, founder of Levine Querido. Each of them shared their journey to founding their publishing houses, including challenges and wins. There was a lot of discussion about finding your community, filling a niche that larger publishers may not be focused on, and uplifting innovated voices. Both of the panelists emphasized that independent publishers have the books with this kind of targeted focus, which distributors may be missing from other large publishers. In many cases, getting a meeting with a distributor may be as simple writing an email to them.

Saturday’s keynote, “Legends of Black Independent Publishing: Learning from the Best”, was a wealth of knowledge. The panelists, Dr. Haki Madhubuti (Third World Press), W. Paul Coates (Black Classic Press),
Kassahun Checole (Africa World Press/The Red Sea Press), and Wade and Cheryl Hudson
(Just Us Books), and hosted by Troy Johnson (African American Literature Book Club), mentioned that they had about a hundred years of experience combined. Much of the focus of this panel was on the power of community—uplifting one another, coming together in support when, for example, an entire basement full of books is flooded, and unapologetically serving the needs of readers in their communities. From acquiring, to editing, to printing and distributing, these powerhouses of indie publishing shared their experiences and strategies with a roomful of rapt IBPA members.

Karen Pavlicin, founder of Elva Resa Publishing and IBPA Board Chair, and NetGalley’s Kristina Radke.

In addition to the amazing keynotes, panels, and conversations, the IBPA also celebrated NetGalley’s own VP of Business Growth, Kristina Radke, who has now completed two terms on the IBPA Board of Directors. Congratulations, Kristina!

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Conference Wrap Up Part 5 – Festival des Livres Paris

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!

Read all of our spring conference wrap ups:

Maria Bodmer and Prudence Servan at the Paris Book Festival

Festival des Livres Paris (Paris Book Festival)

The Paris Book Festival (previously “Salon du Livre”) is designed to attract both professionals in the book publishing industry, as well as a general audience of book lovers. The festival celebrates literature and literary trends. For publishers, this is an opportunity to represent their authors as they participate in readings or interviews on various stages across the event, to network with colleagues across the industry, and meet directly with their audience.

Since this event is extremely busy for the publishers who attend, we took this opportunity to quickly connect with our clients. We were excited to hear positive feedback to recent updates we’ve made to NetGalley, including support for larger file sizes and the Profile Walkthrough to help NetGalley members update the details about how and where they promote books. Publishers were quick to tell us that they’d like our help launching debut authors, more resources to explain NetGalley to their authors, and even key points to help them bring more of their teams up to speed with the opportunities that NetGalley provides in terms of digital distribution, data, and book promotions. We can’t wait to dive in!

Number of publishers we sat down with: 11

Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations. 

Read our next installment, covering the Independent Book Publishers Association (IBPA) Publishing University!

Find us here in May:

  • May 5-6: IBPA Publishing University
    • Meet with Kristina Radke (VP of Business Growth & Engagement) and Katie Versluis (Customer Success Manager), NetGalley
    • concierge [at] netgalley.com
  • May 9-10: ECPA Leadership Summit
    • Meet with Joshua Tallent, Director of Sales and Education, Firebrand Technologies
    • info [at] firebrandtech.com
  • May 23-25: Publishers Weekly U.S. Book Show
    • We are thrilled to sponsor this event. Find us at the NetGalley Pub Hub!
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Conference Wrap Up Part 4 – Leipziger Buchmesse

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!

Read all of our spring conference wrap ups:

Karlotta Lehnert and Karina Elm at the Leipzig Book Fair

Leipziger Buchmesse (Leipzig Book Fair)

Leipzig Book Fair is one of Germany’s two famous book fairs with century-long tradition. While the bigger, more international one in Frankfurt is known as the industry event, Leipzig is the fair for the public. And after a three year break due to the pandemic, the public was clearly very keen to return: A record-breaking 274,000 visitors came to browse the newest books, meet their favorite authors, listen to interviews and discussions on one of the many stages (on the fairground and all over town), or to just connect with other book lovers. That’s not to say that the industry does not meet in Leipzig as well. 2,000 exhibitors from 40 countries attended to present their books, authors and book-related products. Since face-to-face meetings have been greatly missed, we took the chance to connect with some of our clients, partners and interested publishers.

Besides giving a quick update on the growth of our member community and its constantly rising activity, the main point of those short meetings was to listen to our clients’ needs and valuable feedback, to start strategizing for upcoming titles, and to answer questions. We discussed industry trends, such as the ongoing growth for the audiobook format, which is a rising source of income for most publishers. 

One trend that was very noticeable in Leipzig is the growing importance of Manga and Manga readers for the book industry. The Manga-Comic-Con happens every year at the same time and at the same location as the book fair, and thousands of people attend dressed as their favorite characters. We’ve heard from a few publishers who will enter that market in the upcoming months and have high expectations.

Topics that frequently came up were rising costs for printed ARCs, budget cuts, thoughts about sustainability, and how much more important NetGalley has become for publishers due to these changes. Even publishers who have been using NetGalley for years are seeing even more added value in the platform. 

We also heard positive feedback regarding our latest feature updates: The Profile Walkthrough has led to significantly more meaningful member profiles, and the notes that publishers can add to members’ profiles help to create an easy, consistent workflow when several employees are managing requests. 

Another takeaway from the fair: Our clients strongly prefer in-person presentations over an email or a PDF file—which is why we do follow-up training calls with publishers who have further questions and/or changing workflows or staff. And why, throughout all meetings, we solidified the idea of presenting the results of our currently-running member survey in a webinar for all publishers to attend. 

We’re looking forward to these follow-up meetings and to seeing everyone again in Frankfurt in October!

Number of publishers we met with: 23

Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations. 

Read our next installment, covering the Festival des Livres Paris!

Find us here in May:

  • May 5-6: IBPA Publishing University
    • Meet with Kristina Radke (VP of Business Growth & Engagement) and Katie Versluis (Customer Success Manager), NetGalley
    • concierge [at] netgalley.com
  • May 9-10: ECPA Leadership Summit
    • Meet with Joshua Tallent, Director of Sales and Education, Firebrand Technologies
    • info [at] firebrandtech.com
  • May 23-25: Publishers Weekly U.S. Book Show
    • We are thrilled to sponsor this event. Find us at the NetGalley Pub Hub!
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Conference Wrap Up Part 3 – BISG Annual Meeting

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!

Read all of our 2023 spring conference wrap ups:

Paul Milana, Joshua Tallent, Angela Bole, Kristina Radke, and Mary Pratt at the BISG Annual Meeting

Book Industry Study Group (BISG) Annual Meeting:

It’s impossible to avoid news about supply chain disruption, increased costs across the industry, and another digital transformation. As always, BISG kept its thumb on the pulse of the book business, leaning into the theme, “Transforming Supply Chain Communication.”

Sessions were solutions oriented, and focused on the positive questions: What can we do better? What should we do next?

Gary Jones from River Rock Advisors presented a forecasting model that helps publishers and printers determine print quantities based on marketplace demand, the time required to supply printed books, as well as inventory management and returns. That presentation was followed by a discussion on changes that are needed in the data part of the supply chain (and not just the continuing need for the adoption of ONIX 3). Kris Kliemann, chair of the BISG Rights Committee, brought up the importance of rights data and how difficult it can be for publishers to know what rights they own. She said, “Rights you know about are an asset, rights you don’t are a liability.” The discussion also touched on making data more accessible to more people, the importance of keywords, and the benefit of publishers developing a data dictionary to define their terms clearly.

The last panel discussion of the day included an interesting presentation by Lauren Stewart at BookNet Canada about how that organization has centralized much of the metadata and other publishing support processes in Canada, and provides a central, clean repository of metadata for trading partners. As with the other panels, the discussion was lively and some great ideas were addressed.

After lunch, Angela Bole, CEO of Firebrand Group, presented the Industry Champion Award to Phil Madans (Executive Director of Digital Publishing Technology, Hachette Book Group). This award honors an individual whose efforts have advanced the publishing industry as a whole. BISG wrote, “The idea that technology should empower, not hinder, the publishing process has been Phil’s north star since creating HBG’s first intranet over 25 years ago.” Congratulations, Phil!

Last, but not least, Joshua Tallent (Director of Sales & Education at Firebrand Technologies) was named as the incoming BISG Board Chair, with responsibilities beginning July 1, 2023. Congratulations, Joshua!

For a deeper dive into the issue of supply chain management, we highly recommend this article by BISG Executive Director Brian O’Leary in Publishers Weekly.

Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations. 

Read our next installment, covering the Leipziger Buchmesse (Leipzig Book Fair).

Find us here in May:

  • May 5-6: IBPA Publishing University
    • Meet with Kristina Radke (VP of Business Growth & Engagement) and Katie Versluis (Customer Success Manager), NetGalley
    • concierge [at] netgalley.com
  • May 9-10: ECPA Leadership Summit
    • Meet with Joshua Tallent, Director of Sales and Education, Firebrand Technologies
    • info [at] firebrandtech.com
  • May 23-25: Publishers Weekly U.S. Book Show
    • We are thrilled to sponsor this event. Find us at the NetGalley Pub Hub!
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Conference Wrap Up, Part 2 – London Book Fair

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!

Read Part 1 of our Conference Wrap Up here, covering APAC.

NetGalley and other Firebrand Group team members at the London Book Fiar

London Book Fair (LBF): 

London Book Fair may be known for its International Rights Centre, but it’s safe to say that the whole conference was buzzing with energy, from the Sustainability Lounge to the Technology Theatre (which was just a few feet away from our booth). The Fair was busier than in 2022, with a generally positive outlook and mood among attendees. 

It was exciting to hear about our clients’ efforts to engage with new and diverse audiences. Influencer campaigns were at the top of the list, with publishers sharing more about the ways they are identifying influencers who would make good partners. We heard about influencer databases some marketers are tapping into, as well as a more manual approach via active engagement in the social media spaces where these influencers live. Publishers are leaning into more social engagement using CTAs that drive to their social channels, and are creating and incorporating more media (audio and video) that plugs nicely into these platforms. 

At a high level, we had conversations about tracking the full customer journey. Identifying where a reader is first engaged, and following them through the path to purchase is a top priority for the heads of marketing and communications across many of the large publishers. As we learned in the “Role of Technology in Publishing” session, data is the bedrock of publishing today. NetGalley’s data, especially for pre-pub titles, continues to be an important part of that journey—from initial discovery to request, from download to review, and even pre-order or buy now.** 

The panelists emphasized the importance of gathering, analyzing, and using data, while pointing out the need to make that data available to all divisions and departments. But making it available isn’t enough—they stressed that it is equally important to help teams develop a better understanding of how data can be used to maximize effective strategies. We’re always happy to talk about data, so let us know if you’d like to hear more about your NetGalley reports.

The panel also discussed the potential opportunities and risks of AI in publishing, including optimizing content for specific audiences, proof-reading, fact-checking, translation, and even cross-referencing international rights. Some of the publishers we spoke to told us of their recent experiments with AI, testing its limits to write marketing copy, or even whole books, with an eye to understanding its limitations. In all cases, they felt secure that AI is not coming for anyone’s jobs (yet).

Number of publishers we sat down with during LBF: 14

**Here’s more information about NetGalley Reporting and Data.

Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations. 

Read our next installment, covering the Book Industry Study Group (BISG) Annual Meeting!

Find us here in May:

  • May 5-6: IBPA Publishing University
    • Meet with Kristina Radke (VP of Business Growth & Engagement) and Katie Versluis (Customer Success Manager), NetGalley
    • concierge [at] netgalley.com
  • May 9-10: ECPA Leadership Summit
    • Meet with Joshua Tallent, Director of Sales and Education, Firebrand Technologies
    • info [at] firebrandtech.com
  • May 23-25: Publishers Weekly U.S. Book Show
    • We are thrilled to sponsor this event. Find us at the NetGalley Pub Hub!
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Conference Wrap Up, Part 1 – APAC

Conference season is in full swing in a way we haven’t seen since 2019! It’s been rejuvenating to reconnect with so many of our colleagues and partners in the industry over coffee, tea, and/or something a little stronger. Post-show happy hours haven’t gone anywhere, and we’re glad to toast the return of the trade shows.

In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!

What we learned in April

In general, AI was the hot topic in sessions across the industry. As with the evolution of digital-reading, publishers are viewing AI with eyes wide open to the threats that it could present, while also acknowledging the potential for it to revolutionize our work. Conversations on how to protect authors’ rights, address copyright for works generated by AI, and ensure that human creativity sits at the forefront of book creation are side-by-side with excitement to tap into AI’s potential to reduce tedious work and create more opportunities for that creativity to thrive.

Audio Publishers Association Conference (APAC): 

The Audio Publishers Association offers publishers and narrators an amazing opportunity to network, learn from industry experts in the audio space, and share insights and resources. For NetGalley, this event was a welcome chance to hear directly from our clients who are using NetGalley to promote audiobooks.  

Publishers told us that they are thrilled to use NetGalley to expand their reach into new communities, and/or offer the audio format to booksellers and librarians who are using audio to more quickly power through their TBR list. Others emphasized they are looking to reach more traditional media contacts. In the “Meet the Press” session, Tom Beer (Editor-in-Chief, Kirkus Reviews) acknowledged that they have been accepting digital formats for review since 2020, including via widgets from NetGalley.* According to Beer, the audiobook format is relatively new to Kirkus. Each month their audio contributors write a column, centered on a theme, that incorporates three audiobook titles. These columns are less “book review” and more focused on the given topic, and how the audio format augments the story.

All of the panelists (Kirkus, Audiofile Magazine, and Audible) agreed that additional media assets are very welcome from publishers. A photo from the studio, a carefully chosen sound byte, interview with the author (or between the author and the narrator) are all dynamic and interesting assets they may use outside of a review. They’re always looking for content to share, so the more you provide the more likely it is they will share it widely! Audio excerpts in NetGalley are also a great way to generate interest in a title, adding them to either the digital or audio format.

Publishers confirmed audiobook workflows continue to be challenging. Many of the clients we spoke with have small teams who are managing everything from production to marketing. They are driving conversations internally at their companies about how to streamline their efforts to finalize files earlier, test AI voices without threatening narrators, deliver content to the right early audiences, and continue to champion the audiobook format. If you’re having similar internal conversations and would like to talk more about how NetGalley can help you achieve any of these goals, please reach out. We’re happy to provide data or case studies, and share strategies we’ve seen work.

Number of publishers we sat down with during APAC: 11

*The NetGalley widget is an auto-approved link that can be used to invite media and journalists to access a book right away. Here’s more information about the NetGalley widget.

Thank you to the nearly 60 publishers we’ve met with at these conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations. 

Read our next installment, covering the London Book Fair!

Find us here in May:

  • May 5-6: IBPA Publishing University
    • Meet with Kristina Radke (VP of Business Growth & Engagement) and Katie Versluis (Customer Success Manager), NetGalley
    • concierge [at] netgalley.com
  • May 9-10: ECPA Leadership Summit
    • Meet with Joshua Tallent, Director of Sales and Education, Firebrand Technologies
    • info [at] firebrandtech.com
  • May 23-25: Publishers Weekly U.S. Book Show
    • We are thrilled to sponsor this event. Find us at the NetGalley Pub Hub!

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Booknet Canada’s Tech Forum: Data, diversity, and collaboration

Each year, Booknet Canada hosts Tech Forum, the largest tech-focused professional development event in the Canadian publishing industry. Like the other conferences and industry events we’ve been attending, panelists were thinking about diversity, inclusion, data, and collaboration. Here are some of our takeaways from Tech Forum 2019’s speakers discussing top-of-mind challenges and trends.

Moving from Diversity to Inclusion

The Canadian publishing industry is no stranger to the conversation around diversity and inclusion in the book world. Tech Forum’s keynote speaker Ritu Bhasin of bhasin consulting inc., addressed this in her presentation, “Disrupting Bias: Overcoming our Discomfort with Differences.”

Diversity, she said, is only one step toward inclusion. Despite best intentions, diversity is a numbers game – counting how many different “kinds” of people are in an institution. Diversity doesn’t ensure that individuals who have been marginalized in the publishing industry and elsewhere are encouraged to be their authentic selves or given the same opportunities as others. For example, diversity means advertising that a certain percentage of a publisher’s list is written by women or POC authors. Inclusion means ensuring that a publisher spends equal resources (or greater resources) to market its diverse list to give those books a better shot in the market.

Bhasin also mentioned that in 15 years Canada’s population is projected to be 35-40% POC and 6% indigenous. So, not only is it an ethical and social imperative to make a more inclusive industry, it is also best business practices.

We also saw questions of inclusion and diversity addressed at London Book Fair. Read our recap here.

Tools for Data-Driven Decisions

Jordyn Martinez, sales representative at Simon & Schuster Canada, explained how to use data to encourage more book sales in her talk, “Finding the Kernel: Data Driven Sales Tactics to Really Sell Your Book.”

She suggested that publishers use Google Trends, which analyzes the top search queries across customizable topics or categories. This useful tool can be used to discover data that can have a major impact on the marketing of your book, especially when it comes to advertising.

Take, for example, regional trends. If you’re hoping to sell your summer beach read, you can use Google Trends to discover which state or province is most likely to be searching for this term. This can help you hone in on how to spend your advertising dollars and get the most bang for your buck. With Google Trends, you can learn that Floridians are much more likely to be searching for beach reads than people living in Alaska, making it a far more sensible decision to start a beach-focused ad campaign in Florida.

Google Trends can also help you pick the optimal publication date for a title, as well. If you’re wondering when you should publish a steamy romance, Google Trends can tell you that the week after Valentine’s Day is the most popular for these types of searches.

Building Bridges Between Publishers and Booksellers

While publishers and booksellers are aligned in goal, we learned during “Building Bridges, Not Walls: Successful Publishing & Retailing Collaborations,” that they do run into issues executing their shared goal of helping books find their audiences.

Laura Ash from Another Story Bookshop told us that as a bookseller, she sometimes has a hard time restocking bestsellers, causing a critical gap between when the book is at its most popular and when they actually have it in stock. If books are out of stock, today’s readers aren’t willing to wait until the bookstore has it again. Instead, they’ll turn to Amazon or a convenient big box store.

Chris Hall of McNally Robinson said that he’s finding it more and more difficult to spot best sellers. But, he noted that for him, a bookseller’s job to generate their own bestsellers. He suggested using engaging displays, interesting newsletters, and targeting the local demographic to set a book up for success. For example, at his own branch in The Forks in Winnipeg, which has a rich history as an early Aboriginal settlement, they’ve worked extra hard to devote shelf space and hand-sell titles by local indigenous authors.

For more of our conference season coverage, check out our recap of London Book Fair and Livre Paris, as well as recent events from BIGNY and the Future of Media. And, keep up with NetGalley Insights conference coverage by signing up for our weekly newsletter!

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Making the Most Out of Conference Season

With London Book Fair around the corner, here at NetGalley we’re gearing up for weeks of plane travel, convention centers, and branded pens. Conference season is a crucial time for us to see our clients across the country, to check in about their needs, and to continue building the kinds of rich personal relationships that make this industry vibrant.

In order to make the most out of any conference, it’s best to arrive with a plan. Here’s how we’re planning on getting the most out of conference season.

View from London Book Fair 2018
Photo credit: LondonBookFair.co.uk

Identify your goals

What is it that you want to get out of a conference? Make your goals clear before you arrive, whether just to yourself or with your team. Then, with that in mind, you can plan how to best spend your time. Are you hoping to get an overall sense of industry trends at one of the big trade shows? Make sure to spend some time wandering through the booths to see what patterns you notice. Are you hoping to forge new connections? Make sure to take advantage of sponsored networking opportunities. If you are more junior at your company, use an event to demonstrate your value to your colleagues and learn more about the industry by offering to take notes in client meetings or by writing a conference recap for your team. Conferences can be overwhelming, but if you go in clear about what you are hoping to get out of the experience, you’ll be able to create some structure for yourself.  

Set realistic expectations

It’s unlikely for an indie author to land a whirlwind movie deal for their debut novel at London Book Fair (although it does sound like a meet-cute in a book we’d probably read). London Book Fair has around 25,000 attendees every year, which is quite a crowd. If you hope to land  your big break at a professional conference, you will likely end up disappointed. Instead, focus on smaller and more attainable goals, while remaining flexible enough for surprises. Consider each conference as a chance to grow your professional network by meeting new people who you will keep in touch with over the coming months and deepening your relationships with colleagues across the industry. Remember to do your research ahead of time, too–understanding the audience attending or exhibiting at each conference, and what the main focus of the event is goes a long way toward setting your own expectations and goals.

Go to the seminars and lectures

Take advantage of all the experts giving advice and talking about industry trends. Take a look at the schedule before you arrive at the conference to see which talks you’ll definitely want to attend, and schedule your other meetings around them. Seminars and lectures are perfect opportunities to get inspired by how other folks in publishing are handling the challenges of the industry in new and creative ways. Then, once you’re in the room with colleagues in your field, introduce yourself to the lecturers who you’d like to connect with and say hello to audience members who asked questions relevant to your work. Targeted seminars are great places to forge connections with people who might be working on similar projects. Last year at London Book Fair, there were over 220 programs to attend. This year looks to be just as jam-packed. There’s sure to be something tailored to your specific needs at any of the larger industry gatherings.

Meetings at BookExpo 2018
Photo credit: Bookweb.org

Put faces to names

One of the most important benefits of conferences, especially the huge ones, is that everyone will be there. Use these opportunities to meet people who you only communicate with via email or phone in person. A few weeks before the conference, start asking your colleagues and clients if they’ll be attending, and find the time to get together either for a formal meeting or a casual catch-up. And, even if they won’t be attending, they’ll certainly appreciate being asked. In-person meetings are one of the most important ways to strengthen your professional relationships.

Follow up

You’ll likely leave any professional conference with a stack of business cards. Rather than letting them wither in a filing cabinet, send a quick email introduction after the conference. That way, you’ll still be fresh in each other’s memory, and now you’ve established some digital communication.

Record your impressions

When you’re on the conference floor or talking with colleagues, your mind is likely to be buzzing with new ideas or busy making connections between different aspects of the industry. We recommend writing down these thoughts while you’re still at the conference, or very quickly thereafter. When you return to your regular daily activities, you’ll be able to refer to the inspiration you felt or the trends you saw when you need to zoom out and look at the big picture of your work. It’s worthwhile to revisit these notes throughout the year, too! You may have learned something new since then that casts those earlier experiences in a new light.

Plan your 2020 budgets

After you return from your conferences, keep track of which events were the best fits for your previously-established goals. Which ones were most worth your while and which ones did you go to purely out of habit? Then, when you are planning how best to allocate your budget for next year, you’ll have documentation to refer back to when deciding whether to budget in those same conferences next year.

We’re packing our bags for the next few weeks on the road. Stay tuned for our recaps from some of the conferences we’ll be attending. See you at the convention centers!

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Book Publishing from Concept to Consumer with BISG

On November 15, we braved snow flurries in Chicago to attend BISG’s day conference: Book Publishing, from Concept to Consumer.

The Book Industry Study Group (BISG) works to create a more informed, empowered and efficient book industry. Their membership includes trade, education, professional and scholarly publishers, as well as distributors, wholesalers, retailers, manufacturers, service providers and libraries.

Throughout the day, seven different presenters described their jobs – their workflow, the challenges they face, and where their work fits into a book’s lifecycle.

Most of us only see books during a relatively small part of their lives. The details and strategy that consume our workdays are only a fraction of the work that goes in to bringing a book to the public. Acquisition editors see books when they are just manuscripts and ideas. Printers shepard books into the physical world and then pass them along. Library marketers are thinking about how books will live in communities years after their pub date, when the pages are soft and earmarked. This overview of what our colleagues are doing across the industry was a welcome reminder that we all depend on each other’s work to bring the best books to the readers who will love them.

For those who weren’t able to attend, here is a bit of what was covered:

Publishing is beyond personal taste

Contrary to popular conception, Todd Stocke described his role as SVP and Editorial Director at Sourcebooks as less about his own inimitable tastes and more about analyzing data and looking for spaces in the market to tell new stories. For him to be successful at his job, he needs to be able to think outside of his personal preferences and the demographic details that have given rise to his interests and tastes. He has to have an idea of what people of different backgrounds are interested in, and to have access to the writers telling those stories. He described the necessity of having a pipeline that is both broad and deep. A broad pipeline means getting manuscripts from a variety of sources and a deep pipeline means developing relationships with the people providing those manuscripts so that, for example, an agent will know immediately if the manuscript in their hand is the perfect book for the Sourcebooks nonfiction editor.

All stages of book publishing are about the audience

This was the overarching theme of the day. It was not a shock to hear audience as the focus for acquisitions, bookstores, or libraries. These are the parts of the industry that we know need to be responsive to what readers are looking for. But we were surprised to hear how much audience fits into how other players in the industry do their jobs. As Judine O’Shea described the design process for a book, she made the point that a big driver for her is audience-appropriateness. If she’s designing the title and page layout for a children’s book, how many colors will be too busy for young eyes? Will the font be easily legible for early readers? Michael Shea from LSC Communications pointed out that audience use determines the physical form of a book, too. Different binding styles are better for the different ways books live in our lives. For example, an art book that is meant to lay flat on a coffee table will be bound differently than a trade paperback meant to be read on the subway. The glue used on a technical textbook that will be out of date in a few years will be different from the glue used on a book that might be passed down from generation to generation.

Mr. Tiger Goes Wild by Peter Brown illustrates Judine O’Shea’s audience-centric design principles – Plenty of visual interest for many rereads with simple font for early readers.

Know your local, professional community

Suzy Takacs chalked up some of her success at the Book Cellar to her close relationships with local players of the book industry. She described her warm relationships with other booksellers, and how she has called upon stores like Women & Children First to help her stock titles in advance of events. She even described visiting IPG’s warehouse for a last-minute pickup. She is able to quickly respond to inventory needs and meet consumer demand because she has positive relationships with other booksellers and with distributors. Stephen Sposato of the Chicago Public Library expressed a desire to work more closely with booksellers. He suggested sharing data about which titles have long hold lists, so that bookstores will know what readers are asking for and can make sure to adjust their inventory to align with demand.

Speakers:

  • Concepting/Acquisition: Todd Stocke, SVP & Editorial Director, Sourcebooks
  • Editorial Development: Annie Nybo, Editor, Albert Whitman
  • Design & Production: Judine O’Shea, Marketing, Publishing, and Grants at HPC
  • Manufacturing/Warehousing: Michael Shea, SVP LSC Communications
  • Distribution: Richard T. Williams, VP Development IPG
  • Retail: Suzy Takacs, owner Book Cellar
  • Libraries: Stephen Sposato, Manager of Collection Development & Readers Advisory, Chicago Public Library

 

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Lessons from ECPA PubU

Last week, NetGalley joined 230 other attendees from 90 companies in Nashville to attend ECPA PubU. It’s a chance for members of the Evangelical Christian Publishers Association to learn from one another, to think creatively about how to market their titles, and to brainstorm ways to expand their audiences. Many publishers and authors who use NetGalley are also members of the ECPA, so we at NetGalley Insights were grateful for the opportunity to hear more about the attendees’ unique needs, goals, and challenges.

Over and over, we heard attendees talking about how publishers and authors can put their readers first: By making it easier for readers to find the books they are looking for in a keyword search, by being experimental and responsive with the implementation of new platforms, by curating content for them in an overstuffed marketplace, and by making sure that marketing emails provide information of real interest and value.

Here are some of the ideas and lessons we’re taking away with us from ECPA PubU:

Better cross-departmental communication is key to making the most out of your metadata

During his talk about metadata, Firebrand Director of Sales & Marketing Joshua Tallent made the case that marketing and data departments should be working together much more closely. He suggested not only that there should be cross-training, but that in an ideal world, these departments would share staff. Metadata is fundamentally a marketing tool, helping with algorithmic discovery. As you might expect, titles with basic metadata (author, title, ISBN) have 75% higher sales than titles without that information. It only stands to reason that data and marketing should be more closely linked at an institutional level. For example, data teams can use keywords to see how audiences are searching for your books and then marketing departments can include that in their copy and as keywords in the metadata feeds that they are sending out to retailers. This way, data insights are made actionable during a book’s lifecycle. Publishers across the industry know that they need to incorporate data into their decision-making process, and creating better cross-departmental collaboration is a great place to start.

Experiment as you implement new channels and platforms

When the Rabbit Room began in 2007, it was a blog for Christian writers, pastors, musicians, and fans to gather together. Now, in 2018 it is a conference, a publishing house, a live music series, and a podcasting network. In his talk, “Building a Community of Readers,” Pete Peterson, Executive Director of the Rabbit Room and Managing Editor of Rabbit Room Press, described how Rabbit Room experimented with different ways to connect with their community as it grew and changed. One of those ways was podcasting. At first, they just had The Rabbit Room Podcast, but realized that they were better served by hosting multiple podcasts that could better target the specific interests of their community. They are currently in the process of building the Rabbit Room podcast network with multiple programs geared towards specific interests. This lesson reminded us that when publishers and authors are finding new ways to engage their audience, it’s ok to experiment and pivot to best suit your needs.

Curation is crucial for publishers and retailers of all sizes

In her opening remarks about the future of faith and the future of retail, NPD’s Kristen McLean suggested that the future of retail is a mix of high-touch and convenience. Brands (including publishers and retailers) will have to be both personable and easily accessible if they are going to succeed. Several panelists during the conference described their successes with curation as a strategy for becoming high-touch, but without coming across as overtly sales-y. Stacy Kennedy of Red Bird Social noted the success of Patsy Clairmont’s Patsy Box as a way to connect authentically with fans. David Barker of Readerlink highlighted how Amazon is getting into the curation game as well. Amazon is now offering a podcast full of personalized picks from the Amazon staff, to put a warm human face behind the convenience and the algorithm. Curation is something that can be implemented at an author level (what would your protagonist put on a Spotify playlist?) or at a company level (here’s what our team is reading).

Encourage authors to create around their book topic

Authors need to get the word out about their titles around pub date, but it isn’t effective to just blast out “pre-order/buy my book” emails or social posts. Instead, authors should create content that’s related to their book or to the writing process to build excitement. This should all be done in order to provide something of real value to the audience. For example, author of the Left Behind series Jerry Jenkins described the Facebook group he runs for aspiring writers. He is able to connect authentically with an audience by providing value in the form of writing advice. Then, when he has a book coming out, he has an audience that’s actively engaged with him both as a person and as a writer. He also noted that, as a writer, he’s not inclined towards self-promotion, but this writing group on Facebook feels authentic rather than gimmicky. Additionally, outside of the ECPA ecosystem, Ling Ma did a terrific job with this strategy by writing about crying at work for Buzzfeed News before her novel Severance pubbed.

NetGalley is proud to partner with and support the ECPA and its members. Reach out at insights@netgalley.com for more information about how we work with ECPA publishers.

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