NetGalley offers a wealth of insightful data that sheds light on the latest trends and preferences, and this month we’re focusing on Comics, Graphic Novels, and Manga. If you haven’t browsed these categories recently, you may be missing out! In the last 12 months, publishers have added nearly 650 new books, generating a lot of engagement and excitement from the NetGalley community.
Read on for a glimpse at some of the Most Requested* and Top Performing** books in this categories!
Most Requested Comics, Graphic Novel, Manga
On average, books in the Comics, Graphic Novels, and Manga category receive about 150 requests and auto-approvals. This includes activity generated when a publisher invites a reader to access the book using the NetGalley widget or makes the book available to ‘Read Now’, in addition to organic requests from NetGalley members. The Feedback Ratio (amount of Feedback returned based on all types of approval) is 31%.
* Most requested status changes regularly.Books listed in this article were among the most requested on August 9, 2023.
Top Performing Comics
** “Top Performers” refers to the amount of Feedback titles received. Books listed in this article were among the Top Performers in August 2023.
Top Performing Graphic Novels
Top Performing Manga
Case Study: It’s Lonely at the Centre of the Earth
by Zoe Thorogood
Image Comics added It’s Lonely at the Center of the Earth to NetGalley on June 29, 2023. In just two months, this graphic memoir has seen some amazing activity
– 64 Feedback, primarily 4 or 5 stars
– 1500 + impressions
– 100% of booksellers nominated the book for Indie Next List
– 89% of Librarians would order for their library
– 53 “thumbs up” on the cover image
Plus, Image Comics enhanced their title record with a Press Release and Reading Guide, maximizing the resources available to NetGalley members.
Reviews for It’s Lonely at the Centre of the Earth on Instagram, Goodreads, TikTok, and individual blogs
Promotions for Comics, Graphic Novels, and Manga
Launch your frontlist or leverage your backlist! We have both on-site and email promotions for every budget, goal, and type of book. Learn more or view the full Media Kit here.
This newsletter was sent to over 35,000 members who are interested in Comics, Graphic Novels, and Manga, and saw a 36% open rate!
Using authentic, creative enthusiasm to connect with new audiences
Having previously published nonfiction, Chelsea Fagan knew she’d need to tap into a new audience with her novel. Creating an author platform is no easy feat, and in this interview Chelsea shares more about how she pivoted to reach fiction audiences with organic, authentic efforts.
What were your initial goals in listing A Perfect Vintage on NetGalley? Did those goals change or evolve over time, and if so, how?
My initial goal was to reach a wider audience with my novel – since my previous books and current platforms are in the nonfiction space, I wanted to find new readers in my new genre (romance) in an organic and mutually beneficial way. This didn’t particularly change with time.
A Perfect Vintage is your debut novel, but it’s not your first book. How did your prior experience inform your independent publication process this time around?
I’m very familiar with the publishing process, and have always been extremely hands-on with my other books, even when traditionally published. So I basically knew how I wanted to do everything, and really enjoyed the ability to have control over the creative and marketing decisions.
A Perfect Vintage was named a 2023 Harper’s Bazaar Best Beach Read, received praise from bestselling authors like Ashley C. Ford and ST Gibson, and was covered in BookRiot and The Skimm, among others! What role did you as an independent author play in securing media coverage for A Perfect Vintage?
I’m lucky that I’ve worked in media essentially my entire career, and I have a fabulous marketing partner with whom I’m profit sharing on the book, so between the two of us we were able to secure a lot of really organic, authentic media coverage between people we knew or had worked with over the years. I took a lot of care in sending out galley mailers with personalized notes and ribbons, even doing themed gift boxes for some recipients – and though that whole process took a lot of time and energy (and standing in line at the post office), it was hugely worth it. People respond to authentic creative enthusiasm.
What strategies, tools, or features in your NetGalley client account did you find most useful in turning NetGalley members’ impressions and requests into Feedback and reviews?
I found it to be quite seamless all around, but I did like being able to see a bit about the profiles of people requesting – if they’re someone who doesn’t at all read my genre typically, that person might be a lower priority than someone who is a big fan of the space.
Now that A Perfect Vintage is published and out in the world, do you have new or additional goals while you continue using NetGalley as your title is still active on the platform?
Making sure it has as wide a level of visibility as possible with booksellers and librarians!
As we alluded to earlier, in addition to your work as a novelist, you are the founder and CEO of The Financial Diet. How did founding and running your own business prepare you for your debut novel’s publication?
I’m very organized, thorough, and single-minded when it comes to pursuing professional and creative projects I’m passionate about. I understand media, I understand creating healthy business models, and I know what I can afford to invest (both in terms of time and money). I also enjoy a four-day workweek at my primary job, so I was able to dedicate regular time to this project without overwhelming myself.
On a personal note, I am obsessed with your cover image! Could you tell us a bit about it? Who was the artist? Did you go through multiple drafts?
Thank you! It’s an original oil painting that I commissioned from the artist Elizabeth Lennie (whose work I love, and whose paintings have previously been licensed for books such as Every Summer After). I hope to continue working with her throughout my romance career, as the cover has been such an integral part of this book’s success!
A Perfect Vintage was selected for free Homepage Placement on NetGalley about a month and a half before its publication. Two weeks later, it was a Featured Title on NetGalley in the Beach Reads (Fiction) theme. What effect did NetGalley Promotions have on your book’s performance?
It automatically reached a much wider audience – when I began this process, I was very reliant on my own platforms, which luckily are sizable. But those features especially allowed me to meet readers who weren’t previously aware of my work.
I understand music was a key influence for A Perfect Vintage — it has its own playlist! How has music shaped your writing?
In every way! As my primary work is more serious, educational content about finance, I want my romance work to be purely about vibes! Enjoying myself while writing is of the utmost importance, and having a fabulous playlist to accompany the process is essential to maximizing the joy. (And people have really loved it, about 1,500 people have saved it on Spotify alone and a lot of people have told me it’s been their favorite summer playlist – I’m honored!)
What’s next for you? What do your readers have to look forward to?
Really exciting things are happening over at The Financial Diet – a fall tour (the theme will be money & love, tying together my two big focuses this year), a totally revamped video series, etc – and then I’m starting work on my next summer romance, which I’m excited to place on NetGalley as soon as it’s ready!
Chelsea Fagan, author of A Perfect Vintage
Chelsea Fagan is a writer, home cook, and the co-founder and CEO of The Financial Diet. She lives in Manhattan with her husband and dog.
Over the past year, NetGalley has diligently focused on re-engaging our community to ensure members actively return again and again to discover and request books, and share their reviews and feedback with publishers as well as their wider audiences. We also introduced some important changes to our Member Types (and subtypes), including better visibility into each member’s primary audience, to provide more meaningful ways for you to find the right audience for your books on a micro-level. We are thrilled to share the most updated stats about the NetGalley community!
With approximately 550,000 active* members using NetGalley.com, our diverse community of reviewers, booksellers, librarians, educators, media/journalists, and book trade professionals all share a common passion for books. They eagerly provide early feedback and enthusiastically promote books they discover to their respective audiences.
About 150,000 of these members also indicated their interest in audiobooks! This is an increase of 375% since summer 2021 (which was 1 year after audiobooks were first introduced on NetGalley).
150,000 NetGalley.com members have expressed interest in audiobooks, a 375% increase since 2021.
Members who listen to audiobooks are very likely to submit reviews & feedback. The Approval-to-Feedback rate for audiobooks is 53%!
All activity on NetGalley is like a funnel: The more Impressions a book has, the more overall activity it will receive. Once members submit requests, it’s up to the publisher to approve requests so they can start to read. Depending on how many requests the publisher approves, a portion of them will result in Feedback. For digital review copies (DRCs), NetGalley.com members submit over 90,000 reviews and other feedback each month, on average**.
NetGalley.com members submit over 90,000 reviews for DRCs each month.
Beyond the NetGalley platform, our members extend their influence across various channels, including on social media, retail sites, Goodreads, and their own blogs/vlogs or more traditional media, as well as using their powerful word-of-mouth with customers of their bookstores or patrons of their libraries. Our members find fulfillment in helping books succeed!
We are proud to partner with the American Library Association and American Booksellers Association to verify NetGalley members who are also members of these (and other) organizations.
10,700+ verified ALA members use NetGalley to browse, request, and purchase books for their libraries.
Librarians on NetGalley generate nearly 6,000 LibraryReads nominations monthly!
1,400+ verified ABA members use NetGalley to browse, request, and purchase books for their stores.
Booksellers on NetGalley generate nearly 1,200 Indie Next Nominations monthly!
NetGalley members read a wide variety of books, and can browse and sort the NetGalley catalog based on category, pub date, most-requested status, and more to find exactly what they’re looking for. Category or genre popularity on NetGalley closely mirrors the market as a whole. The charts below show the most popular fiction and nonfiction categories among members using NetGalley. Data includes NetGalley.com members who have opted-in to promotions in these categories, as of June 2023.
*Based on member category survey conducted February 2023. *Based on member category survey conducted February 2023.
Our members love to be notified about books that match their interests! 56% of NetGalley.com members are opted in to receive newsletters and campaigns about books in their preferred categories, and our promotional programs are highly valued for their strong engagement rates. During Q2 2023, our U.S. eBlasts averaged a 59% Open Rate with 5% CTR!
Our popular promotions continue to deliver outstanding results while remaining at a competitive price. Learn more in our 2023 Media Kit. It includes more examples, stats, and pricing!
56% of active NetGalley.com members are opted in to receive newsletters and campaigns about books in their preferred categories!
Just as we feel privileged to work with publishers, authors, and your books, it’s also our sincere pleasure towork with our reader members! They are passionate book advocates who are excited to participate in each book’s success. As our community continues to grow and evolve, we’re committed to continuing to support them in this endeavor—while also guiding them to provide valuable reviews and feedback, all with the goal to help other readers learn about a book, and decide whether they want to read it. With this in mind, we continually provide tips and best practices like the following, which you’re welcome to share with your readers, too!
NetGalley offers a wealth of insightful data that sheds light on the latest trends and preferences, and this month we’re focusing on children’s books. If you haven’t browsed the Children’s Fiction, Children’s Nonfiction, or Middle Grade categories recently, you may be missing out! In the last 12 months, publishers have added nearly 4,500 new books, generating a lot of engagement and excitement from the NetGalley community.
Children’s and Middle Grade books receive a lot of interest from reviewers, educators, librarians, booksellers, and media who use NetGalley to discover new books to share with their audiences.
In the last 12 months, publishers added nearly 4,500 new books to NetGalley in these categories!
Read on for a glimpse at some of the Most Requested* and Top Performing** books in these categories!
Most Requested Children’s Fiction
On average, books in the Children’s Fiction category receive about 71 requests and auto-approvals. This includes activity generated when a publisher invites a reader to access the book using the NetGalley widget or makes the book available to ‘Read Now’, in addition to organic requests from NetGalley members. The Feedback Ratio (amount of Feedback returned based on all types of approval) is 25%.
* Most requested status changes regularly.Books listed in this article were among the most requested on June 16, 2023.
Top Performing Children’s Fiction
** “Top Performers” refers to the amount of Feedback titles received. Books listed in this article were among the Top Performers in May 2023.
Most Requested Children’s Nonfiction
On average, books in the Children’s Nonfiction category receive about 52 requests and auto-approvals. The Feedback Ratio is 29%.
Top Performing Children’s Nonfiction
Most Requested Middle Grade
On average, books in the Middle Grade category receive about 96 requests and auto-approvals. The Feedback Ratio is 17%.
Top Performing Middle Grade
Promotions for Children’s & Middle Grade Books
Launch your frontlist or leverage your backlist! We have both on-site and email promotions for every budget, goal, and type of book. Learn more or view the full Media Kit here.
This newsletter was sent to over 33,000 members who are interested in Children’s and Middle Grade titles, and saw a 44% open rate!
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we have attended the Independent Book Publishers Association (IBPA) Publishing University and the Evangelical Christian Publishers Association (ECPA) Leadership Summit. We look forward to Publishers Weekly’s U.S. Book Show next!
Independent Book Publishers Association Publishing University
Independent Book Publishers Association’s (IBPA) Publishing University is a vibrant gathering aimed at traditional and hybrid independent publishers, as well as author publishers, who gather to exchange knowledge, resources, strategies, solutions, and more. This year, the IBPA celebrated its 40th anniversary on Coronado Island in San Diego, with their nautical theme—”Navigate, Innovate, Elevate: Charting the Next 40 Years”.
In addition to the many conversations we had with the IBPA members at our table, and at our “Ask the Experts” sessions (where members sign up to speak to specific industry experts one-on one), the keynote programming was especially powerful this year. Friday’s keynote, “The Future is Independent – How Indie Publishers are Transforming the Industry” featured Rebekah “Bex” Borucki, founder of Row House Publishing, and Arthur Levine, founder of Levine Querido. Each of them shared their journey to founding their publishing houses, including challenges and wins. There was a lot of discussion about finding your community, filling a niche that larger publishers may not be focused on, and uplifting innovated voices. Both of the panelists emphasized that independent publishers have the books with this kind of targeted focus, which distributors may be missing from other large publishers. In many cases, getting a meeting with a distributor may be as simple writing an email to them.
Saturday’s keynote, “Legends of Black Independent Publishing: Learning from the Best”, was a wealth of knowledge. The panelists, Dr. Haki Madhubuti (Third World Press), W. Paul Coates (Black Classic Press), Kassahun Checole (Africa World Press/The Red Sea Press), and Wade and Cheryl Hudson (Just Us Books), and hosted by Troy Johnson (African American Literature Book Club), mentioned that they had about a hundred years of experience combined. Much of the focus of this panel was on the power of community—uplifting one another, coming together in support when, for example, an entire basement full of books is flooded, and unapologetically serving the needs of readers in their communities. From acquiring, to editing, to printing and distributing, these powerhouses of indie publishing shared their experiences and strategies with a roomful of rapt IBPA members.
Karen Pavlicin, founder of Elva Resa Publishing and IBPA Board Chair, and NetGalley’s Kristina Radke.
In addition to the amazing keynotes, panels, and conversations, the IBPA also celebrated NetGalley’s own VP of Business Growth, Kristina Radke, who has now completed two terms on the IBPA Board of Directors. Congratulations, Kristina!
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!
Maria Bodmer and Prudence Servan at the Paris Book Festival
Festival des Livres Paris (Paris Book Festival)
The Paris Book Festival (previously “Salon du Livre”) is designed to attract both professionals in the book publishing industry, as well as a general audience of book lovers. The festival celebrates literature and literary trends. For publishers, this is an opportunity to represent their authors as they participate in readings or interviews on various stages across the event, to network with colleagues across the industry, and meet directly with their audience.
Since this event is extremely busy for the publishers who attend, we took this opportunity to quickly connect with our clients. We were excited to hear positive feedback to recent updates we’ve made to NetGalley, including support for larger file sizes and the Profile Walkthrough to help NetGalley members update the details about how and where they promote books. Publishers were quick to tell us that they’d like our help launching debut authors, more resources to explain NetGalley to their authors, and even key points to help them bring more of their teams up to speed with the opportunities that NetGalley provides in terms of digital distribution, data, and book promotions. We can’t wait to dive in!
Number of publishers we sat down with: 11
Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations.
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!
Karlotta Lehnert and Karina Elm at the Leipzig Book Fair
Leipziger Buchmesse (Leipzig Book Fair)
Leipzig Book Fair is one of Germany’s two famous book fairs with century-long tradition. While the bigger, more international one in Frankfurt is known as the industry event, Leipzig is the fair for the public. And after a three year break due to the pandemic, the public was clearly very keen to return: A record-breaking 274,000 visitors came to browse the newest books, meet their favorite authors, listen to interviews and discussions on one of the many stages (on the fairground and all over town), or to just connect with other book lovers. That’s not to say that the industry does not meet in Leipzig as well. 2,000 exhibitors from 40 countries attended to present their books, authors and book-related products. Since face-to-face meetings have been greatly missed, we took the chance to connect with some of our clients, partners and interested publishers.
Besides giving a quick update on the growth of our member community and its constantly rising activity, the main point of those short meetings was to listen to our clients’ needs and valuable feedback, to start strategizing for upcoming titles, and to answer questions. We discussed industry trends, such as the ongoing growth for the audiobook format, which is a rising source of income for most publishers.
One trend that was very noticeable in Leipzig is the growing importance of Manga and Manga readers for the book industry. The Manga-Comic-Con happens every year at the same time and at the same location as the book fair, and thousands of people attend dressed as their favorite characters. We’ve heard from a few publishers who will enter that market in the upcoming months and have high expectations.
Topics that frequently came up were rising costs for printed ARCs, budget cuts, thoughts about sustainability, and how much more important NetGalley has become for publishers due to these changes. Even publishers who have been using NetGalley for years are seeing even more added value in the platform.
We also heard positive feedback regarding our latest feature updates: The Profile Walkthrough has led to significantly more meaningful member profiles, and the notes that publishers can add to members’ profiles help to create an easy, consistent workflow when several employees are managing requests.
Another takeaway from the fair: Our clients strongly prefer in-person presentations over an email or a PDF file—which is why we do follow-up training calls with publishers who have further questions and/or changing workflows or staff. And why, throughout all meetings, we solidified the idea of presenting the results of our currently-running member survey in a webinar for all publishers to attend.
We’re looking forward to these follow-up meetings and to seeing everyone again in Frankfurt in October!
Number of publishers we met with: 23
Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations.
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!
Paul Milana, Joshua Tallent, Angela Bole, Kristina Radke, and Mary Pratt at the BISG Annual Meeting
Book Industry Study Group (BISG) Annual Meeting:
It’s impossible to avoid news about supply chain disruption, increased costs across the industry, and another digital transformation. As always, BISG kept its thumb on the pulse of the book business, leaning into the theme, “Transforming Supply Chain Communication.”
Sessions were solutions oriented, and focused on the positive questions: What can we do better? What should we do next?
Gary Jones from River Rock Advisors presented a forecasting model that helps publishers and printers determine print quantities based on marketplace demand, the time required to supply printed books, as well as inventory management and returns. That presentation was followed by a discussion on changes that are needed in the data part of the supply chain (and not just the continuing need for the adoption of ONIX 3). Kris Kliemann, chair of the BISG Rights Committee, brought up the importance of rights data and how difficult it can be for publishers to know what rights they own. She said, “Rights you know about are an asset, rights you don’t are a liability.” The discussion also touched on making data more accessible to more people, the importance of keywords, and the benefit of publishers developing a data dictionary to define their terms clearly.
The last panel discussion of the day included an interesting presentation by Lauren Stewart at BookNet Canada about how that organization has centralized much of the metadata and other publishing support processes in Canada, and provides a central, clean repository of metadata for trading partners. As with the other panels, the discussion was lively and some great ideas were addressed.
After lunch, Angela Bole, CEO of Firebrand Group, presented the Industry Champion Award to Phil Madans (Executive Director of Digital Publishing Technology, Hachette Book Group). This award honors an individual whose efforts have advanced the publishing industry as a whole. BISG wrote, “The idea that technology should empower, not hinder, the publishing process has been Phil’s north star since creating HBG’s first intranet over 25 years ago.” Congratulations, Phil!
Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations.
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!
NetGalley and other Firebrand Group team members at the London Book Fiar
London Book Fair (LBF):
London Book Fair may be known for its International Rights Centre, but it’s safe to say that the whole conference was buzzing with energy, from the Sustainability Lounge to the Technology Theatre (which was just a few feet away from our booth). The Fair was busier than in 2022, with a generally positive outlook and mood among attendees.
It was exciting to hear about our clients’ efforts to engage with new and diverse audiences. Influencer campaigns were at the top of the list, with publishers sharing more about the ways they are identifying influencers who would make good partners. We heard about influencer databases some marketers are tapping into, as well as a more manual approach via active engagement in the social media spaces where these influencers live. Publishers are leaning into more social engagement using CTAs that drive to their social channels, and are creating and incorporating more media (audio and video) that plugs nicely into these platforms.
At a high level, we had conversations about tracking the full customer journey. Identifying where a reader is first engaged, and following them through the path to purchase is a top priority for the heads of marketing and communications across many of the large publishers. As we learned in the “Role of Technology in Publishing” session, data is the bedrock of publishing today. NetGalley’s data, especially for pre-pub titles, continues to be an important part of that journey—from initial discovery to request, from download to review, and even pre-order or buy now.**
The panelists emphasized the importance of gathering, analyzing, and using data, while pointing out the need to make that data available to all divisions and departments. But making it available isn’t enough—they stressed that it is equally important to help teams develop a better understanding of how data can be used to maximize effective strategies. We’re always happy to talk about data, so let us know if you’d like to hear more about your NetGalley reports.
The panel also discussed the potential opportunities and risks of AI in publishing, including optimizing content for specific audiences, proof-reading, fact-checking, translation, and even cross-referencing international rights. Some of the publishers we spoke to told us of their recent experiments with AI, testing its limits to write marketing copy, or even whole books, with an eye to understanding its limitations. In all cases, they felt secure that AI is not coming for anyone’s jobs (yet).
Number of publishers we sat down with during LBF: 14
Thank you to the nearly 60 publishers we’ve met with at these spring conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations.
Conference season is in full swing in a way we haven’t seen since 2019! It’s been rejuvenating to reconnect with so many of our colleagues and partners in the industry over coffee, tea, and/or something a little stronger. Post-show happy hours haven’t gone anywhere, and we’re glad to toast the return of the trade shows.
In March and April, the NetGalley team attended the Audio Publishers Association Conference (APAC), London Book Fair, Festival des Livres Paris (Paris Book Festival), Leipziger Buchmesse (Leipzig Book Fair), and the Book Industry Study Group (BISG) annual meeting. This month (May), we—along with our Firebrand Group colleagues—look forward to the Independent Book Publishers Association (IBPA) Publishing University, Evangelical Christian Publishers Association (ECPA) Leadership Summit, and Publishers Weekly U.S. Book Show. Scroll to the end of this article to set up a meeting with our teams!
What we learned in April
In general, AI was the hot topic in sessions across the industry. As with the evolution of digital-reading, publishers are viewing AI with eyes wide open to the threats that it could present, while also acknowledging the potential for it to revolutionize our work. Conversations on how to protect authors’ rights, address copyright for works generated by AI, and ensure that human creativity sits at the forefront of book creation are side-by-side with excitement to tap into AI’s potential to reduce tedious work and create more opportunities for that creativity to thrive.
Audio Publishers Association Conference (APAC):
The Audio Publishers Association offers publishers and narrators an amazing opportunity to network, learn from industry experts in the audio space, and share insights and resources. For NetGalley, this event was a welcome chance to hear directly from our clients who are using NetGalley to promote audiobooks.
Publishers told us that they are thrilled to use NetGalley to expand their reach into new communities, and/or offer the audio format to booksellers and librarians who are using audio to more quickly power through their TBR list. Others emphasized they are looking to reach more traditional media contacts. In the “Meetthe Press”session, Tom Beer (Editor-in-Chief, Kirkus Reviews) acknowledged that they have been accepting digital formats for review since 2020, including via widgets from NetGalley.* According to Beer, the audiobook format is relatively new to Kirkus. Each month their audio contributors write a column, centered on a theme, that incorporates three audiobook titles. These columns are less “book review” and more focused on the given topic, and how the audio format augments the story.
All of the panelists (Kirkus, Audiofile Magazine, and Audible) agreed that additional media assets are very welcome from publishers. A photo from the studio, a carefully chosen sound byte, interview with the author (or between the author and the narrator) are all dynamic and interesting assets they may use outside of a review. They’re always looking for content to share, so the more you provide the more likely it is they will share it widely! Audio excerpts in NetGalley are also a great way to generate interest in a title, adding them to either the digital or audio format.
Publishers confirmed audiobook workflows continue to be challenging. Many of the clients we spoke with have small teams who are managing everything from production to marketing. They are driving conversations internally at their companies about how to streamline their efforts to finalize files earlier, test AI voices without threatening narrators, deliver content to the right early audiences, and continue to champion the audiobook format. If you’re having similar internal conversations and would like to talk more about how NetGalley can help you achieve any of these goals, please reach out. We’re happy to provide data or case studies, and share strategies we’ve seen work.
Number of publishers we sat down with during APAC: 11
*The NetGalley widget is an auto-approved link that can be used to invite media and journalists to access a book right away. Here’s more information about the NetGalley widget.
Thank you to the nearly 60 publishers we’ve met with at these conferences! It’s always a pleasure to speak with the passionate members of our client community, and we’ve been inspired by our conversations.
