Sustainability has long been a hot topic in the book industry. With an environmentally savvy consumer market and labor force composed of people who want to make the world a better place, it only makes sense that publishers would lead the charge on sustainable practices. Sadly, this has not always been the case. Now, with rising costs of production, looming tariffs, and much uncertainty in the market there is no better time to face challenges head on and look for solutions wherever they can be found.
Those solutions are often found globally. The Green Book Alliance (GBA), a collaboration across Book Industry Communication (BIC) in the U.K., BookNet Canada, and the Book Industry Study Group (BISG) in the U.S., has been sharing sustainability resources and findings for five years. Brian O’Leary, executive director of BISG, told us “Environmental issues don’t know borders. As the largest publishing market in the world, what happens in the U.S. has an outsized impact on the industry and the world.”
Photo by Katrin Bolovtsova
No doubt geographic and geopolitical disruptions will continue to impact the book world this year. Publishers and partners will be discussing ways in which they can reduce costs, speed up production, and align with environmental solutions. NetGalley will be tracking these discussions at conferences and, importantly, demonstrating at least one proven and reliable way to help publishers and book professionals reduce their carbon footprint: Digital Review Copies.
For a book community that has been hungry for strong voices and authentic commitments to save the planet, perhaps this is the year we are ready for real leadership. We’ve all seen the industry slip backward into pre-pandemic practices of sharing physical ARCs instead of digital or audiobooks, all while regarding conference galley rooms with a bit of dismay.
“We as publishers need to push them to realize that this is a problem not only for the environment, but for the supply chain as well… It is a not good for bookstores, publishers or authors (who don’t earn a royalty from third party sales) that these pre-market [print] copies are out there.”
“One of the most impactful ways to improve sustainability is to NOT print ARCs or galleys. Digital galleys are just fine, and in fact, better for the system overall. During the pandemic, many reviewers were accepting DRCs, and we were really hopeful that that would stick. Unfortunately, many reviewers are reverting to their old systems of stacks of ARCs on their desks or in the galley room, instead of cataloging DRCs. We as publishers need to push them to realize that this is a problem not only for the environment, but for the supply chain as well. Those printed ARCs get picked up by the third party sellers on Amazon, who sell them for less and win the buy button. It is not good for bookstores, publishers or authors (who don’t earn a royalty from third party sales) that these pre-market copies are out there.”
Environmental impact at various moments throughout the supply chain is urgent for publishers to continuously acknowledge and make effort to minimize. O’Leary points out, “BISG’s work helps show how actions in one part of the supply chain play out across the industry. Content creation has become fundamentally digital, but we’re not always taking advantage of the opportunities digital provides.”
With a proactive commitment to LCP, a brand new NetGalley Reader, and audiobook early-listening solutions, NetGalley is a proven alternative to print review copies. It’s not just about amplifying our own product. It’s about providing answers to practices that are not only out of fashion, but out of step with our industry’s values. Not only are book files safe and secure thanks to the most up-to-date technology, publishers also benefit from fast, easy tools to distribute digital review copies far beyond the typical reach of print.
Let’s take a chunk out of the galley room and replace tables lined with paper, ink, and cardboard boxes with QR codes and directions for how and where to access digital review copies and audiobooks. We’re here to help!
With a proactive commitment to LCP, a brand new NetGalley Reader, and audiobook early-listening solutions, NetGalley is a proven alternative to print review copies. It’s not just about amplifying our own product. It’s about providing answers to practices that are not only out of fashion, but out of step with our industry’s values.
This article will be updated during the 2025 conference season with feedback from reviewers, publishers, and partners.
Newburyport, MA (January 29, 2025)—NetGalley, LLC—the industry-standard digital galley and marketing platform, and a strategic part of the Firebrand Group collection of companies owned by Media Do International (MD-i)—announced today a major upgrade to its Reading Options, which includes the launch of the new proprietary NetGalley Reader and introduces LCP-protected downloads to the NetGalley platform. The global upgrade is now live across all NetGalley domains in the United States, United Kingdom, Germany, France, and Japan.
The new NetGalley Reader, built by NetGalley’s in-house engineering team, offers industry-best digital content protection on the web. Utilizing a proprietary digital content protection system designed by seasoned DRM researchers at NetGalley, it combines sophisticated cryptography techniques to lock digital content to specific users and devices, with a front-end UI layer to restrict attackers’ abilities to lift decrypted content from the browser.
Providing a quick and secure reading experience in web browsers with a single click, the NetGalley Reader is the fastest possible way for NetGalley members to start reading their approved books—with no need to leave the NetGalley website, download any files, or use an external device. At launch, the NetGalley Reader supports ePub- and PDF-formatted ebooks. Members will continue to use the free NetGalley Shelf app (iOS and Android) as the exclusive way to listen to audiobooks.
As part of ongoing security efforts, NetGalley has also made adjustments to the “Download” Reading Option, replacing the older Adobe DRM with EDRLab’s Readium Licensed Content Protection (LCP). NetGalley files have been protected with LCP in the NetGalley Shelf app since it was launched in 2020, but with this upgrade, NetGalley members can now download and read files on any LCP-supported device or app.
“We’re committed to making books easily and securely accessible to NetGalley members, however they like to read,” said Firebrand Technologies and NetGalley, LLC Chief Technology Officer Tom Shawver. “This major upgrade expands our Reading Options to allow for a seamless in-browser reading experience, while also strengthening our partnership with EDRLab to offer portable, Readium LCP-protected downloads. We’re thrilled to pull from our extensive experience to create a simple and convenient reading platform for our community, and a first-of-its-kind content protection solution for our publishers.”
About NetGalley, LLC NetGalley helps publishers and authors promote digital review copies and audiobooks to book advocates and industry professionals. Hundreds of thousands of members rely on NetGalley’s secure, sustainable, and easy-to-use platform to discover books, share reviews, and champion literacy. The NetGalley team coordinates closely with publishers on targeted promotions, and provides training, strategy, and consultation for incorporating NetGalley into overall marketing and publicity efforts. NetGalley is a strategic part of the Firebrand Group collection of companies owned by Media Do International (MD-i) which together provide leading software and services to help publishers succeed. To learn more, visit netgalley.com/tour.
About Media Do International (MD-i) Media Do International (MD-i) owns the Firebrand Group, a collection of companies including Firebrand Technologies, NetGalley, LLC, and Supadu Ltd. that provide leading software and services to help publishers succeed. MD-i is itself the US-based subsidiary of Japan’s Media Do Co. Ltd, one of the largest ebook distribution companies in the world retaining the largest share of Japan’s ebook market. Media Do Co. Ltd.’s mission is to make more content available for more people. To learn more, visit mediado.jp/english.
Publishing professionals from across the industry descended on Nashville, TN at the end of September to attend the Publishing Innovation Forum, hosted by the Firebrand Group. This premier in-person event was designed to unite individuals from various segments of the book publishing industry to share insights, explore new trends, and discuss strategies to adapt to a rapidly evolving publishing landscape. With approximately 150 participants, the forum encouraged collaboration and innovation, ensuring attendees gain valuable knowledge and connections to drive future success in the industry. Expert keynote presentations, and three dedicated breakout tracks for Business, Technology, and Marketing, resulted in lively conversation and important takeaways. For our audience at NetGalley Insights, we have collected some key themes and tips from the highly experienced speakers.
Attendees at the inaugural Publishing Innovation Forum, 2024
Session: Innovations in Book Promotion: Publicity Trends That Move the Needle
Speakers: Kimberly Sneed (Digital Media Director, PR by the book) and Marika Flatt (Owner, PR by the Book)
Kimberly Sneed and Marika Flatt of PR by the Book kicked off this session by explaining that the goal for publicity efforts is to drive author and book recognition, visibility, and overall exposure. The wider the name recognition in the world, the greater chance that book and that author have to build and grow. Exposure is extremely important in early promotional efforts because you are planting seeds for a long trail that follows, even into the backlist. Some important avenues for modern publicists to focus on include:
Podcasts: There are hundreds of thousands of podcasts available. Find the right ones in both subject matter and audience for your individual authors.
NetGalley and other platforms: Maximize title pages on every platform to include assets like videos, advanced praise, author pages or social media, etc.
Social Media: Both presence and promotion matter. Identify and engage with niche, micro audiences, prioritize authenticity, align your messaging with their values.
Immersive Storytelling Techniques: Design “expert” pages for your authors, create additional materials like exclusive content, serialized content, short videos, and adjacent narratives to drive engagement and customize media outreach.
One size does not fit all in book marketing and publicity. Step outside the box and don’t be afraid to try something new! No matter what, always connect and build on what you have. Sneed’s and Flatt’s approach is centered on flexibility, experimentation, and working closely with authors to tailor strategies to individual needs and audiences.
Session: Influencers vs. Community: Strategic Activation for Your Book Campaigns
Speakers: Sarah Walsh (Brand Strategist, Branch & Bramble) and Hallie Fields (Social Media Assistant Manager, NetGalley)
Each speaker presented two distinct yet powerful marketing approaches: Sarah Walsh highlighted influencer campaigns, while Hallie Fields emphasized community-driven campaigns.
Walsh showcased how partnerships with influencers can boost brand awareness, leaning on examples like #marcreadsabook and HarperCollins’ #shelvesinthecity. These examples demonstrated the importance of personalized and trend-focused initiatives. It’s important to note that these campaigns were certainly in the high-budget realm; however, there are lessons to be learned from these exciting campaigns that even a publisher with a smaller budget should keep in mind:
Jump on trends and interact with followers as part of the community, not an administrator or organizer.
Consider the best type of influences to engage. Micro influencers can have big engagement numbers.
Give influencers time and opportunity to tell their stories. Bring them to beautiful spaces, or give them Instagrammable assets.
Form ongoing partnerships, not just one-off posts, which allows the influencer to create ongoing content that is more organic and authentic.
Fields focused on examples from Camp NetGalley, a community-based challenge campaign, and #MyNetGalleyYear, an annually recurring checkpoint campaign. These examples encourage user-generated content (UGC) by asking audiences to complete a task and share it with their followers. These campaigns allow you to engage with, and unite, the entire community, and allow you to secure your brand’s place in a recurring social landscape.
Know your community. At NetGalley, we know our members love fun, nostalgic, interactive experiences, so we built Camp NetGalley with that in mind.
Prizes can be simple and digital! In the case of Camp NetGalley, it was a digital badge members can share, and which appear in their NetGalley accounts. For #MyNetGalleyYear, a template we created for them makes it easy for them to brag about everything they’ve read.
UGC is excellent to share back to your community, help them feel involved, and take some load off your own content creation.
Consider creating campaigns that can be recurring, which gives the community something to look forward to.
Both strategies – influencer campaigns and community engagement – underscore the importance of creating meaningful, relatable experiences that resonate with audiences, while maintaining authenticity and connection.
Session: Book Marketing at Any Budget
Speakers:
Kim Lauber (Vice President of Marketing at Abrams)
Ashley Marie Mireles-Guerrero (Director of Sales and Marketing at Familius Publishing)
Allison Marie Pond (Director of Marketing at Mad Cave Studios)
Jin Yu (Director of Marketing at Berkley/PRH)
It was exciting to see these top leaders from across the publishing spectrum in one space, delving into practical approaches for maximizing impact in the marketing, publicity, and advertising spaces. The collective in-house wisdom from publishers large and small, who publish across many diverse categories, was too vast to fully cover in this short article, but here are a few key points:
Know your audience: Identify where the niche is, where and in what format they will buy, speak to them directly, customize your metadata to reach them.
Maximize metadata to boost discoverability, and feed the search engine with more content – announcements, bumpers, reviews – which will expand your reach.
Not all marketing involves advertising, and not all marketing has to be expensive.
When you do advertising, consider self-serve ads where you can control where the spend is placed. If you do have an ad budget, consider Amazon ads which one speaker said “are expensive, but are worth it.”
Events are a good way to connect with your community. Library and bookseller communities are especially relationship-based. Be sure to identify what you want to get out of it before deciding to attend since they can be expensive.
Virtual events have lower cost and can work if you’re creative on how you approach them.
Give out QR codes or offer to include items in grab-bags, like bookmarks or other items, which are a great way to stimulate interest.
PR is a lot of effort, make the most of it. Continue to utilize the results and keep it updated, making sure to leverage any media hits by letting additional outlets know it’s being talked about.
Session: Building Brand Trust: The Role of Empathetic Marketing in Publishing
In this popular and engaging session, Lyman emphasized that understanding audience values and emotions is key to creating impactful marketing campaigns. By analyzing consumer patterns in reviews and social interactions, publishers can tailor their messaging to resonate with their audience, and shift from transactional hooks to more meaningful communications.
Our values drive our emotions, which drive our decisions.
Make small shifts toward empathy, like altering email subject lines to be more engaging vs. a flat statement or sales hook.
Example from Alleyoop: Their customer feedback popup doesn’t ask what kind of makeup they like, or why, but rather asks the consumer about themselves and what issues they want to solve. For instance, one response is “I can only spend 5 minutes on my makeup.”
To maintain authenticity as you move into more empathetic language, start shifting your hooks to focus on the consumer. Stop making statements like, “Available now!” and shift to how readers will benefit from it. Questions are a great way to do this. A more empathetic subject line would be, “Need more time with your family?”
Bottom line: Empathy strengthens the connection between brands and consumers.
Session: Challenges in Audiobook Marketing and How to Overcome Them
Barto began this session by pointing out three main audiobook audiences: those who want, need, or happen to discover audiobooks. She emphasized that each of these audiences listens to audiobooks for their own reasons and that marketers should keep each of them in mind when considering their marketing language and campaigns–your approach can and should be slightly different when promoting to people who love the audio format, versus those who need to listen to audiobooks due to lifestyle or accessibility constraints. And never forget about those listeners who don’t yet know that they will love audiobooks! A few tips from Barto:
Think about audiobook marketing holistically. Integrate audiobooks into the broader marketing efforts through all aspects of the launch and ongoing campaign efforts. Start by educating authors that the audiobook will be available and is just as exciting and desirable as the hardcover. Make sure you update audio metadata at the same times as you update the other formats’ metadata.
Incorporate audio-specific keywords in metadata. Keywords like “dual-narrator” or “full cast recording” are important.
Market the production process. Listeners romanticize the publishing and in-studio processes. Lean into this!
Encourage narrators to be part of the promotion. Offer them announcement assets to share, ask them to record in-studio content, and leverage their audiences.
Create custom content (bonus chapters, interviews, music, bloopers, etc). If you’re going to pitch bloopers as a fun, custom bit of content to media outlets, be sure you’ve asked the studio not to discard or cut these bloopers during the recording process.
Barto pointed out that some publishers still seem to hold on to the notion that audiobook sales will somehow cannibalize print sales, but there has been no evidence of this! If anything, consumers will seek out the format they want. Make it easy for them to find. Audiobooks are more likely to be an “in addition” purchase than they are to replace a print sale.
Overall Themes
As you can see, themes of audience-centric and empathetic messaging ran throughout all of these marketing-focused sessions. Our expert speakers encouraged a shift from pushing books at people and, instead, connecting with readers.
Remember that not every influential reader is a celebrity, and they won’t all ask you for thousands of dollars to promote your books. Identify your core micro influencers, niche communities, and those who are passionate about the types of books you publish. These are the influencers that will drive word of mouth for your books most effectively and authentically.
Don’t be afraid to experiment! Get creative. Find fun ways to engage with your audience. Try new advertising techniques and assess whether they work for you. Adjust as needed.
We are thrilled that the inaugural Publishing Innovation Forum was received so positively by attendees, who told us they were inspired and leaving Nashville equipped to try out some of the strategies outlined above. We hope to see you at another Publishing Innovation Forum in the future!
– The NetGalley Team
NetGalley team members at Publishing Innovation Forum, 2024: Lindsey Lochner, Kristina Radke, Hallie Fields, Tarah Theoret, Darcy Piedmonte
Help us commemorate Audiobook Month by taking advantage of our special offer for audio publishers. Scroll to the end for details. In the meantime, here are even more reasons to celebrate…
Interest in audiobooks has grown over 40% since this time last year.
NetGalley members love audiobooks!*
Over 212,000 members have expressed interest in the format (about 35% of the total community)
55% increase in requests for audiobooks
10,000+ Reviews & Feedback are submitted monthly, on average
58% Feedback rate for audiobooks (an even higher rate than for DRCs)
41% of members who listen to audiobooks do so daily. 70% listen at least weekly.
*Stats from NetGalley.com annual member survey (Jan 2024) and YTD site activity
Some of the ways NetGalley participates in the audiobook community:
We are proud to work with audiobook publishers to help their books and this format succeed!
Offering a platform for audiobook reviewers to discover, access, and share feedback with publishers and other audiobook fans
We are thrilled that NetGalley is a top source for audiobook discoverability*, ensuring audiobook publishers have direct access to highly engaged book advocates and industry professionals who listen to and review books.
*52% of survey respondents report that they first hear about new audiobooks via NetGalley.
Mary McAveney (Abrams), Andy Hunter (Bookshop.org), and Michael Tamblyn (Kobo) to Keynote the Inaugural PUBLISHING INNOVATION FORUM, September 24-26 in Nashville, TN
Newburyport, MA (May 15, 2024)—The Firebrand Group—a global collection of companies, including Firebrand Technologies, NetGalley, and Supadu Ltd—is excited to announce three inspiring keynote speakers for its inaugural Publishing Innovation Forum (#PubInnovation24). All members of the publishing industry are invited to join these influencers, along with more than 20 additional expert speakers, during this three-day event, September 24-26, 2024 in Nashville, Tennessee.
The three keynote speakers are:
Andy Hunter, Founder and CEO, Bookshop.org. Andy is also the co-creator and publisher of the websites Literary Hub, Crime Reads and BookMarks, and co-founder and chairman of Electric Literature. His focus is keeping literature a vital part of our culture in the digital age. His company, Bookshop.org, is an online bookstore with an explicit mission to help promote and financially support the brick-and-mortar independent bookselling community.
Mary McAveney, President and CEO, Abrams. Mary is a publishing veteran with decades of experience and expertise in marketing, strategy, and branding. McAveney is known throughout the industry as a forward-thinking innovator who delivers success based on data-driven tactics, direct-to-consumer relationships, and digital discovery. As President and CEO of Abrams, McAveney oversees the company’s three divisions—Abrams, Abrams Children’s Books, and Abrams ComicArts—as well as the Abrams Distribution Client business.
Michael Tamblyn, CEO, Kobo. Michael combines his passion for books and reading with a deep focus on hardware and software experiences that can make reading lives better. In addition to leading Rakuten Kobo, the global digital bestseller, he is also a Senior Executive Officer of Rakuten, the Japanese ecommerce giant.
Formerly known as the Firebrand Group Industry Conference, the Publishing Innovation Forum was rebranded in May 2024 to better reflect the event’s focus on bringing the entire publishing industry together for conversations related to evolving and adapting to the book industry’s many changes. Attendees can expect to learn how their industry peers are transforming their toughest challenges into innovations and initiatives that will successfully benefit sales, rights and permissions, marketing, audiobooks, ebooks, printing, distribution, and more.
“It’s important to all of us at the Firebrand Group that the Publishing Innovation Forum is a welcoming community of book industry professionals willing to share their collective knowledge and expertise,”said Angela Bole, CEO of Firebrand Technologies and NetGalley. “We know it’s collaborative environments like this that provide the keys to solving common challenges and ensuring our industry remains strong, informed, and ready for the future. As a collection of companies, we’re committed to fostering these environments both internally and externally.”
Sessions at the Publishing Innovation Forum will cover a variety of important topics that impact the industry. Three broad tracks (Marketing, Technology, and Business), along with numerous networking and idea-sharing opportunities, will provide learning opportunities for publishing professionals at every level.
“We’re all in this together,” said Joshua Tallent, Firebrand Technologies’ Director of Sales & Education and lead conference programmer. “That’s why it’s so important for us to gather at events like the Publishing Innovation Forum to jointly solve problems as we plan for the future.”
Early bird registration for the Publishing Innovation Forum is available through June 30, 2024. More information, including a link to register, is available at publishinginnovationforum.com.
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About the Firebrand Group The Firebrand Group—a global collection of companies including Firebrand Technologies, NetGalley, and Supadu Ltd—offering comprehensive technology solutions to nurture book publisher success. The companies within Firebrand Group are owned by Media Do International (MD-i), the US-based subsidiary of Japan’s Media Do Co., Ltd, one of the largest ebook distribution companies in the world retaining the largest share of Japan’s ebook market. For more information on Media Do’s services and corporate divisions, visit mediado.jp/english.
NetGalley.com Growth! 600,000 Active Members + Exciting New Stats!
NetGalley is proud to host our highly-engaged community of reviewers, booksellers, librarians, educators, media/journalists, and book trade professionals and to facilitate the relationship between this community and the publishers who want to reach them. It’s been two years since we introduced a re-engagement campaign with our members to give publishers better visibility into each member’s primary audience, and to provide more meaningful ways for you to find the right audience for your books. As part of that re-engagement campaign, we also began removing inactive accounts. This is both a security upgrade, as well as an assurance that the information we provide you about the size of our community is transparent. We are thrilled that, even with the cleanup of inactive accounts, the NetGalley Community has grown by close to 10% since last summer!
We are pleased to share this update about the NetGalley Community, and invite you to view the full report, which includes tips for engaging with specific segments of the community.
Activity on NetGalley is a funnel, which means that the more Impressions a book has, the more overall activity it will receive. Once members submit requests, it’s up to the publisher to approve requests so they can start to read. Depending on how many requests the publisher approves, a portion of them will result in Feedback. For Digital Review Copies (DRCs) we see a 36% Feedback Rate, while Audiobooks see an exceptional Feedback Rate of 58%!
NetGalley.com as a whole continues to see record-breaking activity. In Q1 2024, members submitted almost 400,000 reviews & feedback for books and audiobooks, representing 11% growth from 2023. Audiobook feedback saw a 43% increase!
NetGalley.com continues to see record-breaking activity. In Q1 2024, members submitted almost 400,000 reviews & feedback for books and audiobooks, representing 11% growth from 2023. Audiobook feedback saw a 43% increase!
NetGalley members read a wide variety of books, and can browse and sort the NetGalley catalog based on category, pub date, most-requested status, and more to find exactly what they’re looking for. Category or genre popularity on NetGalley closely mirrors the market as a whole. The charts below show the most popular fiction and nonfiction categories among members using NetGalley. Data includes NetGalley.com members who have indicated their interest in Categories as of April 2024.
Our members love to be notified about books that match their interests! 86% respondents to our Annual Member Survey indicated that NetGalley Promotions influence whether they Request or download a book or audiobook. Our popular promotions continue to deliver outstanding results while remaining at a competitive price. Learn more in our 2024 Media Kit. It includes more examples, stats, and pricing!
Just as we feel privileged to work with publishers, authors, and your books, it’s also our sincere pleasure towork with our reader members! They are passionate book advocates who are excited to participate in each book’s success. As our community continues to grow and evolve, we’re committed to continuing to support them in this endeavor—while also guiding them to provide valuable reviews and feedback, all with the goal to help other readers learn about a book, and decide whether they want to read it. With this in mind, we continually provide tips and best practices like the following, which you’re welcome to share with your readers, too!