NetGalley for Publicists

We know publicists are extremely busy.

Check out our Tips for Publicists for actionable strategies, from pitching to follow-up to reporting, designed to increase the efficiency and effectiveness of the work you already do!





Plus, watch the 2-minute video, Influencer Marketing & Beyond, for 3 quick ways to incorporate NetGalley into your efforts, no matter where you find your audience.

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NetGalley Launches Major Upgrade to Reading Options, Including a New Proprietary In-Browser Reader


FOR IMMEDIATE RELEASE 

Newburyport, MA (January 29, 2025)—NetGalley, LLC—the industry-standard digital galley and marketing platform, and a strategic part of the Firebrand Group collection of companies owned by Media Do International (MD-i)—announced today a major upgrade to its Reading Options, which includes the launch of the new proprietary NetGalley Reader and introduces LCP-protected downloads to the NetGalley platform. The global upgrade is now live across all NetGalley domains in the United States, United Kingdom, Germany, France, and Japan. 

The new NetGalley Reader, built by NetGalley’s in-house engineering team, offers industry-best digital content protection on the web. Utilizing a proprietary digital content protection system designed by seasoned DRM researchers at NetGalley, it combines sophisticated cryptography techniques to lock digital content to specific users and devices, with a front-end UI layer to restrict attackers’ abilities to lift decrypted content from the browser. 

Providing a quick and secure reading experience in web browsers with a single click, the NetGalley Reader is the fastest possible way for NetGalley members to start reading their approved books—with no need to leave the NetGalley website, download any files, or use an external device. At launch, the NetGalley Reader supports ePub- and PDF-formatted ebooks. Members will continue to use the free NetGalley Shelf app (iOS and Android) as the exclusive way to listen to audiobooks.

As part of ongoing security efforts, NetGalley has also made adjustments to the “Download” Reading Option, replacing the older Adobe DRM with EDRLab’s Readium Licensed Content Protection (LCP). NetGalley files have been protected with LCP in the NetGalley Shelf app since it was launched in 2020, but with this upgrade, NetGalley members can now download and read files on any LCP-supported device or app. 

“We’re committed to making books easily and securely accessible to NetGalley members, however they like to read,” said Firebrand Technologies and NetGalley, LLC Chief Technology Officer Tom Shawver. “This major upgrade expands our Reading Options to allow for a seamless in-browser reading experience, while also strengthening our partnership with EDRLab to offer portable, Readium LCP-protected downloads. We’re thrilled to pull from our extensive experience to create a simple and convenient reading platform for our community, and a first-of-its-kind content protection solution for our publishers.”

For more information about NetGalley, please contact concierge@netgalley.com.

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About NetGalley, LLC
NetGalley helps publishers and authors promote digital review copies and audiobooks to book advocates and industry professionals. Hundreds of thousands of members rely on NetGalley’s secure, sustainable, and easy-to-use platform to discover books, share reviews, and champion literacy. The NetGalley team coordinates closely with publishers on targeted promotions, and provides training, strategy, and consultation for incorporating NetGalley into overall marketing and publicity efforts. NetGalley is a strategic part of the Firebrand Group collection of companies owned by Media Do International (MD-i) which together provide leading software and services to help publishers succeed. To learn more, visit netgalley.com/tour.

About Media Do International (MD-i)
Media Do International (MD-i) owns the Firebrand Group, a collection of companies including Firebrand Technologies, NetGalley, LLC, and Supadu Ltd. that provide leading software and services to help publishers succeed. MD-i is itself the US-based subsidiary of Japan’s Media Do Co. Ltd, one of the largest ebook distribution companies in the world retaining the largest share of Japan’s ebook market. Media Do Co. Ltd.’s mission is to make more content available for more people. To learn more, visit mediado.jp/english.

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Why Empathy is the Future of Consumer Marketing in Publishing

Guest post by Emily Lyman, CEO & Founder of Branch & Bramble

As book communities grow and develop, their expectations for publishers evolve with it. According to the 2025 Edelman Trust Barometer, overall trust has declined significantly, particularly trust in businesses. With people increasingly distrustful, this makes cultivating brand trust difficult, yet more important than ever before. 

Luckily, the key to achieving trust and preventing backlash or boycotts is simple (but definitely not easy): empathetic marketing. This approach is a complete game changer with how you engage with readers, ensuring you stay relevant and achieve your sales goals. 

What is Empathetic Marketing?

At its heart, empathetic marketing recognizes, understands, and appeals to the role that emotions have in the decision-making process. Neuroscientist Antonio Damasio famously said, “We are not thinking machines that feel; rather, we are feeling machines that think,” so it only makes sense that emotions would drive our buying behavior. However, too often, marketers across industries overlook the emotional motivators and focus solely on data—instead of effectively marrying the two.

For publishing, this means readers don’t just expect quality books—they expect publishers to align with their values, show transparency, and engage authentically. Book communities are vocal and interconnected, and they’re going to speak the loudest for brands that share their ideals. Publishers who cannot meet these expectations risk losing trust and their ability to remain competitive across widespread demographics. By practicing empathetic marketing and connecting with readers on an emotional level, publishers make genuine relationships that create lifelong fans. 

Emotional Motivators for Connection

At the heart of empathetic marketing lies a deep understanding of emotional motivators. Readers aren’t just here for the books—they’re looking for an experience that resonates with them on a deeper level. They’re not reading dragon books just because they want a pet dragon—they also long for the relationships, community, and self worth the main characters develop along the way. 

Knowing this, publishers can craft marketing campaigns that feel personal and purposeful. For example, instead of focusing solely on a book’s content, a campaign might highlight the themes of found family or the immersive setting of the story. An in-person activation is a great way to bring books to life in ways that are meaningful and marketable. 

Putting Empathy into Action

Empathetic marketing isn’t just a concept—it’s a practice that publishers can start implementing right this minute. Start by listening to your target audience. Pay attention to reviews, social media conversations, and content that resonate most with your audience. Studies show that even the best marketers can have empathetic blind spots, so it’s important to view this as more than data gathering. It’s about understanding the values and emotions that drive their decisions.

Next, shift the focus of your storytelling throughout your marketing materials. Instead of centering your marketing around a book, share what kind of reading experience your audience can expect to have with the title. How will this story make them feel? How does it reflect their experiences or open their eyes to completely different points of view? If a reader can see themselves in your messaging, they’re more likely to connect, engage, and ultimately convert.  

Finally, make engagement simple and meaningful. Whether it’s through a preorder incentive, an interactive newsletter, or a community-focused event, give readers clear and compelling ways to connect with your brand in a manner that will mean something to them. Forget a cheesy tchotchke (although everyone still loves bookmarks) and instead cultivate an experience that aligns with values data you’ve collected. These engagement efforts don’t have to be big to build trust—even small actions cultivate profound loyalty. 

With BookTok and other marketing channels hanging in the balance, practicing empathetic marketing is crucial for publishers who want to survive and thrive. By recognizing the power of emotions in decision-making, aligning with reader values, and building meaningful connections, publishers can build trust that lasts and sells books.

Emily Lyman has spent a decade working in-house with global publishers such as Penguin Random House and Simon & Schuster managing both corporate and title marketing initiatives. Today, she is the CEO and Founder of Branch and Bramble, an award-winning marketing agency for lifestyle brands.

Emily’s specialty is in blending data with heart and values to create meaningful audience connections for my brand partners which include Patagonia and Paramount. She’s worked with companies with household names to individual authors just trying to get their books out in the world.

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Key Marketing & Publicity Takeaways from the Inaugural Publishing Innovation Forum

Publishing professionals from across the industry descended on Nashville, TN at the end of September to attend the Publishing Innovation Forum, hosted by the Firebrand Group. This premier in-person event was designed to unite individuals from various segments of the book publishing industry to share insights, explore new trends, and discuss strategies to adapt to a rapidly evolving publishing landscape. With approximately 150 participants, the forum encouraged collaboration and innovation, ensuring attendees gain valuable knowledge and connections to drive future success in the industry. Expert keynote presentations, and three dedicated breakout tracks for Business, Technology, and Marketing, resulted in lively conversation and important takeaways. For our audience at NetGalley Insights, we have collected some key themes and tips from the highly experienced speakers.

Attendees at the inaugural Publishing Innovation Forum, 2024

Session: Innovations in Book Promotion: Publicity Trends That Move the Needle

Speakers: Kimberly Sneed (Digital Media Director, PR by the book) and Marika Flatt (Owner, PR by the Book)

Kimberly Sneed and Marika Flatt of PR by the Book kicked off this session by explaining that the goal for publicity efforts is to drive author and book recognition, visibility, and overall exposure. The wider the name recognition in the world, the greater chance that book and that author have to build and grow. Exposure is extremely important in early promotional efforts because you are planting seeds for a long trail that follows, even into the backlist. Some important avenues for modern publicists to focus on include:

  • Podcasts: There are hundreds of thousands of podcasts available. Find the right ones in both subject matter and audience for your individual authors.
  • NetGalley and other platforms: Maximize title pages on every platform to include assets like videos, advanced praise, author pages or social media, etc.
  • Social Media: Both presence and promotion matter. Identify and engage with niche, micro audiences, prioritize authenticity, align your messaging with their values.
  • Immersive Storytelling Techniques: Design “expert” pages for your authors, create additional materials like exclusive content, serialized content, short videos, and adjacent narratives to drive engagement and customize media outreach.

One size does not fit all in book marketing and publicity. Step outside the box and don’t be afraid to try something new! No matter what, always connect and build on what you have. Sneed’s and Flatt’s approach is centered on flexibility, experimentation, and working closely with authors to tailor strategies to individual needs and audiences.

Session: Influencers vs. Community: Strategic Activation for Your Book Campaigns

Speakers: Sarah Walsh (Brand Strategist, Branch & Bramble) and Hallie Fields (Social Media Assistant Manager, NetGalley)

Each speaker presented two distinct yet powerful marketing approaches: Sarah Walsh highlighted influencer campaigns, while Hallie Fields emphasized community-driven campaigns.

Walsh showcased how partnerships with influencers can boost brand awareness, leaning on examples like #marcreadsabook and HarperCollins’ #shelvesinthecity. These examples demonstrated the importance of personalized and trend-focused initiatives. It’s important to note that these campaigns were certainly in the high-budget realm; however, there are lessons to be learned from these exciting campaigns that even a publisher with a smaller budget should keep in mind:

  • Jump on trends and interact with followers as part of the community, not an administrator or organizer.
  • Consider the best type of influences to engage. Micro influencers can have big engagement numbers.
  • Give influencers time and opportunity to tell their stories. Bring them to beautiful spaces, or give them Instagrammable assets.
  • Form ongoing partnerships, not just one-off posts, which allows the influencer to create ongoing content that is more organic and authentic.

Fields focused on examples from Camp NetGalley, a community-based challenge campaign, and #MyNetGalleyYear, an annually recurring checkpoint campaign. These examples encourage user-generated content (UGC) by asking audiences to complete a task and share it with their followers. These campaigns allow you to engage with, and unite, the entire community, and allow you to secure your brand’s place in a recurring social landscape.

  • Know your community. At NetGalley, we know our members love fun, nostalgic, interactive experiences, so we built Camp NetGalley with that in mind.
  • Prizes can be simple and digital! In the case of Camp NetGalley, it was a digital badge members can share, and which appear in their NetGalley accounts. For #MyNetGalleyYear, a template we created for them makes it easy for them to brag about everything they’ve read.
  • UGC is excellent to share back to your community, help them feel involved, and take some load off your own content creation.
  • Consider creating campaigns that can be recurring, which gives the community something to look forward to.

Both strategies – influencer campaigns and community engagement – underscore the importance of creating meaningful, relatable experiences that resonate with audiences, while maintaining authenticity and connection.

Session: Book Marketing at Any Budget








Speakers: 

  • Kim Lauber (Vice President of Marketing at Abrams)
  • Ashley Marie Mireles-Guerrero (Director of Sales and Marketing at Familius Publishing) 
  • Allison Marie Pond (Director of Marketing at Mad Cave Studios)
  • Jin Yu (Director of Marketing at Berkley/PRH)

It was exciting to see these top leaders from across the publishing spectrum in one space, delving into practical approaches for maximizing impact in the marketing, publicity, and advertising spaces. The collective in-house wisdom from publishers large and small, who publish across many diverse categories, was too vast to fully cover in this short article, but here are a few key points:

  • Know your audience: Identify where the niche is, where and in what format they will buy, speak to them directly, customize your metadata to reach them.
  • Maximize metadata to boost discoverability, and feed the search engine with more content – announcements, bumpers, reviews – which will expand your reach.
  • Not all marketing involves advertising, and not all marketing has to be expensive. 
  • When you do advertising, consider self-serve ads where you can control where the spend is placed. If you do have an ad budget, consider Amazon ads which one speaker said “are expensive, but are worth it.”
  • Events are a good way to connect with your community. Library and bookseller communities are especially relationship-based. Be sure to identify what you want to get out of it before deciding to attend since they can be expensive.
  • Virtual events have lower cost and can work if you’re creative on how you approach them.
  • Give out QR codes or offer to include items in grab-bags, like bookmarks or other items, which are a great way to stimulate interest.
  • PR is a lot of effort, make the most of it. Continue to utilize the results and keep it updated, making sure to leverage any media hits by letting additional outlets know it’s being talked about.

Session: Building Brand Trust: The Role of Empathetic Marketing in Publishing

Speaker: Emily Lyman (CEO & Founder, Branch & Bramble)

In this popular and engaging session, Lyman emphasized that understanding audience values and emotions is key to creating impactful marketing campaigns. By analyzing consumer patterns in reviews and social interactions, publishers can tailor their messaging to resonate with their audience, and shift from transactional hooks to more meaningful communications.

  • Our values drive our emotions, which drive our decisions.
  • Make small shifts toward empathy, like altering email subject lines to be more engaging vs. a flat statement or sales hook.
  • Example from Alleyoop: Their customer feedback popup doesn’t ask what kind of makeup they like, or why, but rather asks the consumer about themselves and what issues they want to solve. For instance, one response is “I can only spend 5 minutes on my makeup.”
  • To maintain authenticity as you move into more empathetic language, start shifting your hooks to focus on the consumer. Stop making statements like, “Available now!” and shift to how readers will benefit from it. Questions are a great way to do this. A more empathetic subject line would be, “Need more time with your family?”

Bottom line: Empathy strengthens the connection between brands and consumers.

Session: Challenges in Audiobook Marketing and How to Overcome Them

Speaker: Jolene Barto (Marketing Executive, Publishing Professional)

Barto began this session by pointing out three main audiobook audiences: those who want, need, or happen to discover audiobooks. She emphasized that each of these audiences listens to audiobooks for their own reasons and that marketers should keep each of them in mind when considering their marketing language and campaigns–your approach can and should be slightly different when promoting to people who love the audio format, versus those who need to listen to audiobooks due to lifestyle or accessibility constraints. And never forget about those listeners who don’t yet know that they will love audiobooks! A few tips from Barto:

  • Think about audiobook marketing holistically. Integrate audiobooks into the broader marketing efforts through all aspects of the launch and ongoing campaign efforts. Start by educating authors that the audiobook will be available and is just as exciting and desirable as the hardcover. Make sure you update audio metadata at the same times as you update the other formats’ metadata.
  • Incorporate audio-specific keywords in metadata. Keywords like “dual-narrator” or “full cast recording” are important.
  • Market the production process. Listeners romanticize the publishing and in-studio processes. Lean into this!
  • Encourage narrators to be part of the promotion. Offer them announcement assets to share, ask them to record in-studio content, and leverage their audiences.
  • Create custom content (bonus chapters, interviews, music, bloopers, etc). If you’re going to pitch bloopers as a fun, custom bit of content to media outlets, be sure you’ve asked the studio not to discard or cut these bloopers during the recording process.

Barto pointed out that some publishers still seem to hold on to the notion that audiobook sales will somehow cannibalize print sales, but there has been no evidence of this! If anything, consumers will seek out the format they want. Make it easy for them to find. Audiobooks are more likely to be an “in addition” purchase than they are to replace a print sale. 

Overall Themes

As you can see, themes of audience-centric and empathetic messaging ran throughout all of these marketing-focused sessions. Our expert speakers encouraged a shift from pushing books at people and, instead, connecting with readers.

Remember that not every influential reader is a celebrity, and they won’t all ask you for thousands of dollars to promote your books. Identify your core micro influencers, niche communities, and those who are passionate about the types of books you publish. These are the influencers that will drive word of mouth for your books most effectively and authentically.

Don’t be afraid to experiment! Get creative. Find fun ways to engage with your audience. Try new advertising techniques and assess whether they work for you. Adjust as needed.

We are thrilled that the inaugural Publishing Innovation Forum was received so positively by attendees, who told us they were inspired and leaving Nashville equipped to try out some of the strategies outlined above. We hope to see you at another Publishing Innovation Forum in the future!

– The NetGalley Team

NetGalley team members at Publishing Innovation Forum, 2024: Lindsey Lochner, Kristina Radke, Hallie Fields, Tarah Theoret, Darcy Piedmonte
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Recommended Strategies for Audiobooks on NetGalley

It’s been a couple of years since we last answered some of publishers’ burning questions about promoting audiobooks on NetGalley. Now, with even more data to draw upon, we’re excited to share updated recommendations for audiobook publishers!

How early should I add my audiobook to NetGalley?

As early as possible! In most cases, we’ve seen that publishers are uploading their audiobooks to NetGalley within one month of pub date. This makes sense for most audiobooks, where the final file is not available until very close to the release date. However, if you have a highly-anticipated title, consider building extra buffer time into the production schedule to take advantage of a longer pre-pub marketing timeline. This can help you piggy-back the audio format alongside the earliest marketing and publicity efforts for a simultaneous hardcover release.

67.5% of audiobooks are added to NetGalley 30 days or less prior to the pub date.* However, if you have a highly-anticipated title, consider building extra buffer time into the production schedule.

In the chart below, you will see that a small selection of titles were added to NetGalley much earlier than one month pre-pub. 

67.5% of audiobooks are added to NetGalley 30 days or less prior to the pub date.

How long should my audiobook be available to NetGalley members?

3-4 months is our recommendation for audiobooks to remain active on NetGalley. Generally, the longer you keep an audiobook active on NetGalley, the more impressions it will receive, and we’ve seen that 90 – 120 days of activity is the sweet spot! Right now we’re seeing that most audiobooks are active on NetGalley for only 2 – 8 weeks but, based on our data, activity continues to grow all the way up to 4 months. Keep your audiobooks active for longer so you don’t miss out on members who discover and request a copy in those additional few weeks!

Audiobooks that are active on NetGalley for 90-120 days receive the most impressions, on average.

Audiobooks that are active on NetGalley for 90-120 days receive the most impressions, on average.

How can I drive more activity for my audiobook on NetGalley?

In addition to the organic interest that’s found on NetGalley, there are a number of ways to drive additional activity:

  • Widget: The NetGalley Widget is the quickest and easiest way to invite your key contacts to access your titles. Simply include the widget link in your pitch email and use our template language to ensure they have all the information they need to get started right away. This tool is included as part of your NetGalley subscription.
  • Detailed Activity & Feedback Reports – Use your Detailed Activity and Feedback reports for comp titles to identify key contacts who may be interested in your new title, and invite them to listen using the NetGalley widget. These reports, and more, are available on demand within your account.
  • NetGalley Promotions – Audiobooks can be included in any NetGalley promotion, from email promotions like newsletters and eBlasts, to on-site promotions like Category or Dashboard Spotlights, Featured Title placement, etc. There are also a number of audio-dedicated promotions available throughout the year. The link above suggests options based on specific goals like gaining overall exposure, introducing a new imprint, or driving activity during a particular time period. You can also view our Media Kit to see more information about open and click rates, editorial calendars, and pricing.






Audiobooks can be included in any NetGalley Promotion!

What should I expect from NetGalley members’ audiobook reviews?

In our article, How to Write an Audiobook Review, we recommend that NetGalley members discuss a number of audio-specific features in addition to commenting on the content of the book. For instance, we ask them to focus on the narration, discuss how the audiobook flows, mention unique elements like music or if it is a full-cast recording, and share a specific recommendation.

Members are highly likely to submit audiobook Feedback on NetGalley and share it widely with their audiences.

The Feedback Rate** for audiobooks is 58%, which continues to be higher, on average, than it is for digital review copies (36%). This means that approved members are highly likely to submit Feedback on NetGalley and share it widely with their audiences. We are thrilled that NetGalley members continue to embrace the audio format. 

Remember, you can always follow up with approved members to encourage them to share their Feedback! Take a look at our template language here, and best practices for reaching out to NetGalley members.

**Feedback Rate is calculated based on the amount of overall Feedback submitted divided by the number of approvals (of any kind).

For more information about audiobooks on NetGalley:

*Data is based on audiobooks created on NetGalley.com between July 1 2023 – June 30 2024 unless otherwise noted.

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BookSmarts Podcast: Kristina Radke on Audiobooks in NetGalley

Full transcript available here.

Kristina Radke is the Vice President of Business Growth and Engagement at NetGalley, a service that helps publishers and authors promote digital review copies and audiobooks to book advocates and industry professionals, including reviewers, booksellers, librarians, educators, media/journalists, and other book trade professionals. With over 15 years of experience in book marketing, publicity, and client relationships, Kristina joins us on the BookSmarts Podcast to discuss NetGalley’s expansion into the audiobook market, along with trends and strategies for publishers to be aware of when uploading audiobooks to NetGalley.

Data in this podcast is based on audiobooks created on NetGalley.com between July 1 2023 – June 30 2024 unless otherwise noted.

“For audiobooks, the feedback rate is absolutely astounding, we’re seeing about 60% of approved members sending their feedback in after listening to an audiobook.”

Joshua Tallent is an acclaimed teacher and guide on the role of data in publishing, and a vocal advocate for high quality book metadata. In his spare time, Joshua enjoys playing complex board games, playing Minecraft, and fiddling with his 3D printer.

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